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Exploring American Folk Music: Ethnic, Regional & Vernacular Traditions in the United States reflects the fascinating diversity of regional and grassroots music in the United States. The book covers the diverse strains of American folk music--Latin, Native American, African, French-Canadian, British, and Cajun--and offers a chronology of the development of folk music in the United States.
The book is divided into discrete chapters covering topics as seemingly disparate as sacred harp singing, conjunto music, the folk revival, blues, and ballad singing. It is among the few textbooks in American music that recognizes the importance and contributions of Native Americans as well as those who live, sing, and perform music along our borderlands, from the French speaking citizens in northern Vermont to the extensive Hispanic population living north of the Rio Grande River, recognizing and reflecting the increasing importance of the varied Latino traditions that have informed our folk music since the founding of the United States. Another chapter includes detailed information about the roots of hip hop and this new edition features a new chapter on urban folk music, exploring traditions in our cities, with a case study focusing on Washington, D.C. Exploring American Folk Music also introduces you to such important figures in American music as Bob Wills, Lydia Mendoza, Bob Dylan, and Muddy Waters, who helped shape what America sounds like in the 21st century. It also features new sections at the end of each chapter with up-to-date recommendations for "Suggested Listening," "Suggested Reading," and "Suggested Viewing."
- Sales Rank: #807484 in eBooks
- Published on: 2012-06-22
- Released on: 2012-06-22
- Format: Kindle eBook
Review
“While this is a revision of an older text, both the format and the content of this volume make it an attractive textbook option for an undergraduate course introducing students to American vernacular music.”
―Louisiana History
“In this expanded and updated new edition Kip Lornell leads the reader on a delightful and authoritative journey through some of the diverse local musical traditions of American music and directs them to many wonderful audiovisual resources newly available on the Internet.”
–Anthony Seeger, director emeritus, Smithsonian Folkways Recordings
"An authoritative and appealing introduction to the variety, evolution and staying power of vernacular music traditions in the United States."
–Jeff Todd Titon, author of Early Downhome Blues, Powerhouse for God, and Old-Time Kentucky Fiddle Tunes
From the Inside Flap
The perfect introduction to the many strains of American-made music
About the Author
Kip Lornell is a member of the music faculty at The George Washington University. His books include The Beat! Go-Go Music from Washington, D.C. (co-authored with Charles C. Stephenson, Jr.) and Shreveport Sounds in Black and White (co-edited by Tracey E. W. Laird), both published by the University Press of Mississippi. His research in American vernacular music has also resulted in the publication of over one hundred articles and record notes, record projects, and several documentary films.
Most helpful customer reviews
1 of 1 people found the following review helpful.
“What kind of music is that?”
By Thwip!
If you are looking for a casual read and basic overview of American folk music this © 2012 paperback book isn’t it and I can easily see where it gets used at the college level. As my own personal interests in Folk music increase, and friends continue to ask me this question, I decided it was time for some proper research. The book has helped tremendously and I feel that one of the best ways to describe it is to just include the table of contents and let it speak for itself.
CONTENTS
Exploring American Folk Music
xi – A Preamble to the Third Edition
xv – A Prelude to the Second Edition
xix – Preface and Acknowledgements
1. START HERE!
03 – Introduction
06 – The Roots of twenty–first–Century Folk Music
09 – Music in Our Daily Lives and in the Academy
12 – Defining American Folk Music
16 – Cultural Geography and Traditions
17 – Folk Culture in the United States
21 – Bred in the Bone
25 – Listening to American Folk Music
27 – Instruments: Accordion / Banjo / Dulcimer / Fiddle / Fife / Guitar / Harmonica / Mandolin / Mouth Bow / One–String / Quills / Washboard
26 – Final Thoughts
2. MASS MEDIA
42 – Introduction
43 – Minstrel and Medicine Shows
47 – Recording the Blues
51 – Record Companies and Folk Music
54 – Country Music over the Airwaves
58 – Border Radio
61 – The Ancestors of MTV and VH–1
62 – Uncle Dave Bacon and the Electronic Media
64 – Final Thoughts
3. FIELDWORK IN TWENTY–FIRST–CENTURY AMERICA
69 – Musical Communities and Fieldwork
70 – Accomplishing Fieldwork: Topic / Focus / Preparation / Questions / Communications / Interview / Ethics
77 – Some Nuts and Bolts of Fieldwork
80 – Final Thoughts
4. ANGLO–AMERICAN SECULAR FOLK MUSIC
83 – British Ballads
87 – Broadsides
89 – Native American Ballads
91 – Singing Cowboys
96 – Tin Pan Alley and Country Music Texts
98 – Ernest Stoneman’s Repertoire
99 – The Father of Bluegrass
106 – Honky–Tonk
107 – Western Swing
110 – Final Thoughts
5. ANGLO–AMERICAN SACRED MUSIC
119 – Psalmody
120 – Shape Notes
125 – Camp Meetings
128 – Shakers
129 – Later Hymnody and Gospel songs
133 – Sanctified Styles
135 – Southern Gospel Boogie
138 – Final Thoughts
6. AFRICAN AMERICAN RELIGIOUS FOLK MUSIC
144 – The Great Awakening and Camp Meetings
146 – Spirituals
150 – Ring Shouts
153 – Gospel
158 – Pentecostal Singing and Guitar Evangelists
162 – Preachers on Record
163 – Gospel Quartets
166 – Final Thoughts
7. AFRICAN AMERICAN SECULAR FOLK MUSIC
172 – Work Songs
176 – String Ballads
178 – Fife and Drum Bands
180 – Ragtime and Coon Song
181 – Ballads
186 – Songster and Rural Music
189 – Down–Home Blues
191 – Modern Blues
195 – Final Thoughts
8. ETHNIC AND NATIVE AMERICAN TRADITIONS
207 – Jewish American: Klezmer
210 – Native American: Music and Ceremony Today / Musical Characteristics / Instruments / Powwows
220 – Hawaiian American
224 – Franco–American: Cajun County / Zydeco / Northeastern States
234 – Scandinavian American: Ballads / Instrumental Music / Polka and more Polka! / Norwegian American Folk Music
241 – Final Thoughts
9. THE HISPANIC AMERICAN DIASPORA
253 – The Southwest: Tex–Mex Music / Corridos / Mariachi / Native American Influences
270 – Florida
274 – New York City
276 – Final Thoughts
10. THE FOLK REVIVALS
284 – Red Roots
288 – The Mass Media and Popular culture
291 – Field Research
292 – The 1960s Folk Revival
306 – The British Invasion
307 – The Blues Room
309 – Back to the Mountains
314 – New Entrepreneurs and Frontiers
318 – Final Thoughts
11. THE FOLK ROOTS OF CONTEMPORY POPULAR MUSIC
324 – Black Code from the Underground
325 – Improvisation in Black Musical culture
332 – Rhythm and Blues
334 – Rockabilly
337 – Early Rock ‘n’ Roll and Rock
341 – Motown and Soul
342 – Hip–Hop and Rap
344 – Country Music Today
345 – Final Thoughts
12. URBAN FOLK MUSIC
350 – Introduction
353 – Blues and Gospel in Chicago
375 – San Antonio’s Country and Conjunto Traditions
359 – Washington, D.C.: Country Music / Bluegrass
375 – Final Thoughts
379 – Selected Song Index
382 – General Index
Whew! This review was brought to you the old fashioned way – no “copy & paste”. I toyed with the idea of just listing the main sections but that really doesn’t give you the depth to which this book dives into Folk history. And quite truthfully, many times I felt like I was in “over my head” and overwhelmed with information. But this is no criticism of the author’s fine work as anything that stuck in my old retired brain was more than I knew before I started.
PS – It employs a limited yet healthy dose of archival photos, geographical maps, reproduced program booklet & songbook covers, show posters & record labels. Hoped this helped!
2 of 2 people found the following review helpful.
Very good reference
By JIM HORTON
We use it for our American Folk Music class at Volunteer State in Galatin, TN, as well as East Tennessee State in Johnson City, I believe. Would recommend it to anyone for their library.
0 of 0 people found the following review helpful.
"Exploring American Folk Music"
By Teresa
I first have to say that this was simply a treat to listen to. This book not only laid out the groundwork for American folk music from it’s very foundation or roots, it put in the cornerstone as well. This was an incredibly detailed look at the origins of our musical culture as it is to this day.
Kip Lornell provided extensive research drawing from numerous examples along with at least three subsequent examples of the origins, styles, and evolution of each genre of American folk music. I was utterly impressed and learned a lot of nifty things about folk music and music in general that I didn’t know before.
There were several musicians who may have easily been put to the back burner and been forgotten about during folk music’s evolution or the Folk Revival. A few of my favorite topics in the book were about the Native-American music and the border stations where Wolfman Jack became a DJ. From hymns, blues, gospel, zydeco, family and community gatherings, military songs, working songs, campfires, and traveling songs; it’s all covered in this great audiobook.
“Exploring American Folk Music” was a wonderful listen and a great audiobook for music lovers, and more specifically American folk music lovers. I think it’s safe to say that American folk music is a melting pot of wonderful and diverse musical influence from all over the world.
Overall, this audiobook was superb. I would definitely recommend listening to this one.
About the narrator: Michael Rene Zuzel did an outstanding job narrating this book. It was just right. Not too fast or too slow. He spoke clearly with a steady pace and he showed interest in the subject with his own upbeat cadence which was suitable for the content. I thoroughly enjoyed this audiobook.
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