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The Memory of Love: A Novel, by Linda Olsson
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From the beloved author of Astrid & Veronika, a moving tale of friendship and redemption
Fans of Astrid & Veronika and Chris Cleave's Little Bee will be thrilled to read Linda Olsson's third novel. Here is Olsson doing what she does best: illuminating the terrain of friendship and examining the many forms that love can take.
Marion Flint, in her early fifties, has spent fifteen years living a quiet life on the rugged coast of New Zealand, a life that allows the door to her past to remain firmly shut. But a chance meeting with a young boy, Ika, and her desire to help him force Marion to open the Pandora’s box of her memory. Seized by a sudden urgency to make sense of her past, she examines each image one-by-one: her grandfather, her mother, her brother, her lover. Perhaps if she can create order from the chaos, her memories will be easier to carry. Perhaps she’ll be able to find forgiveness for the little girl that was her. For the young woman she had been. For the people she left behind.
Olsson expertly interweaves scenes from Marion’s past with her quest to save Ika from his own tragic childhood, and renders with reflective tenderness the fragility of memory and the healing power of the heart.
- Sales Rank: #713927 in eBooks
- Published on: 2013-02-26
- Released on: 2013-02-26
- Format: Kindle eBook
From Booklist
A relatively recent addition to one of New Zealand’s tiny beachfront towns, Marion Flint has slowly become accustomed to the solitude. She can walk for miles along the beach without interrupting any raucous family outings, her salt-weathered house is built far from any neighbors, and there are days when she doesn’t see another person. Until she meets Ika, a confusingly quiet boy with a mysterious past of his own. It is through Ika that Marion is finally able to start making sense of her own troubled upbringing, and she quickly realizes that her reclusiveness is no way to foster the only meaningful human connection she’s had in years. This is a deeply poetic novel, more character-driven than plot-centered and a credit to Olsson’s narrative technique. As Marion’s connection with Ika grows stronger, the transition from her initially jumpy, fragmented narration to a smoothly flowing conclusion mirrors her protagonist’s eventual peace. Fans of Jennifer Haigh and Heidi W. Durrow will appreciate this darkly emotional novel, a piercing reminder that seclusion and introspection are not always the best pathways to revelation and forgiveness. --Stephanie Turza
Review
“Olsson’s eloquent prose offers an intimate, poignant portrait of a woman at midlife who finds her way back…to a life filled with love.”—Publishers Weekly
“[A] deeply poetic novel...and a credit to Olsson’s narrative technique….Fans of Jennifer Haigh and Heidi W. Durrow will appreciate this darkly emotional novel.”—Booklist
“Exquisitely rendered….quietly gripping.”—Cleveland Plain Dealer
"Haunting and beautiful, [The Memory of Love] is a reminder of the fragility of happiness and the impossibility of living without hope." —Otago Times (New Zealand)
"Linda Olsson writes beautifully, capturing the fragile nature of her characters and the beauty of the rugged landscape around her with great precision and subtlety. A hugely evocative book. The story gets under your skin and will live on long after the final page has been turned." —Gisborne Herald (New Zealand)
"The emotional weather of the story is changeable and dramatic, with storm clouds sometimes threatening, unpredictable tides and winds of inner conflict, and chance meetings. . . . It is the storytelling, of course, that is most seductive, with the right balance between the disclosure and holding back of information to keep us reading to the end—appreciating at every twist a writer delighting in her craft." —Sunday Star Times (New Zealand)
"[A] tender, loving story . . . concerned with searching and healing . . . You sense an author of real integrity." —Weekend Herald (New Zealand)
"Olsson's lyrical style is perfectly suited to the reflective tenderness that characterises Marion's narrative voice. . . . The tragedies of the novel, combined with the powerful resonance of the windswept and lonely coast, makes [The Memory of Love] a heavily atmospheric novel of great emotional weight." —Listener (New Zealand)
“Olsson successfully intertwines New Zealand and Sweden to create a beautiful and compelling story.” —Mahrangimatters (New Zealand)
"One of the most stirring and sensitive books I have read for a long time. [ . . . ] An outstanding read." —The Star (New Zealand)
About the Author
Linda Olsson was born in Stockholm, Sweden, in 1948. She graduated from the University of Stockholm with a law degree, and worked in law and finance until she left Sweden in 1986. What was intended as a three-year posting to Kenya then became a tour of the world with stops in Singapore, the U.K., and Japan, until she settled in New Zealand with her family in 1990. In 1993 she completed a bachelor of arts in English and German literature at Victoria University of Wellington. In 2003 she won the Sunday Star-Times Short Story Competition. Linda's first novel Astrid & Veronika became an international success, selling hundreds of thousands of copies in Scandinavia, Europe and the United States. It was followed by the heartbreaking and moving Sonata for Miriam. Olsson divides her time between Auckland, New Zealand and Stockholm, Sweden.
Most helpful customer reviews
11 of 11 people found the following review helpful.
Very good!
By CAJ45
Have you ever gotten into a reading funk where you find every book bland and boring? Where you have no motivation to pick up a book and read or if you do you set it aside because it is not catching your attention. Well lately I have been in a reading funk until I started The Memory of Love by Linda Olsson. The writing is fantastic I felt as though I was the character. I haven't read a book that was so well written in 1st person narrative ever! I needed this book. It was refreshing and not like anything I have read in a long time. I just could not get enough.
As a person have you ever done anything that you regret or blame yourself for and have never forgiven yourself? You carry that guilt with you never forgotten always there in the front of your mind? Well the main character Marion has and you go with her on journey of how she loved, lost, learn to forgive her self and how she found love again. It pulls you in and doesn't let you go until the very end.
I loved it. I couldn't have picked a better book to read. One of my favorite books this year!
7 of 7 people found the following review helpful.
The Healing Powers of Hope and Love
By labergerebasque
Linda Olsson is one of my favorite new authors. I had been lucky enough to stumble across "Astrid and Veronika" and have then gone on to read EVERYTHING she has written...including this book. Such an original story, so well told, I ached and held my breath while reading it. Marion finds her own strength in examining herself via the fragility and dour circumstances of a little boy, initially, almost beyond reach. Their relationship and the words expressed to tell it, are reflected perfectly in their own broken mirrors. Linda Olsson is a remarkable writer. I savor every delicious and tender word when reading her books and this one is a feast, subtil, yet perfect.
5 of 5 people found the following review helpful.
Life After Life
By Roger Brunyate
Hey, wait a minute, didn't I just review this? No, but I came upon it when reviewing another book of the same title by Aminatta Forna. And my review title is borrowed from two other novels that have also recently appeared (by Kate Atkinson and Jill McCorkle). Both titles are eminently suited to Linda Olsson's new novel, though it is smaller in scale and less ambitious in theme than any of the others.
I have greatly enjoyed Olsson's previous novels, ASTRID AND VERONIKA and SONATA FOR MIRIAM, for the quiet interiority of her writing. I have also admired her ability to use the sparse landscapes of Sweden or New Zealand as a foil for the emotional lives of her mostly female characters. Both countries play a part here. The actual setting is the thinly-populated New Zealand coast southwest of Auckland on the North Island, where Marion Flint, a woman in early middle age, semi-retired physician and part-time artist, has fled to handle some nameless grief alone; there are hints of a deceased husband or lover. But most of the memories that return to her in italicized flashbacks of increasing frequency are of her childhood, first on an idyllic island between Sweden and Finland, and later in Stockholm and London. It is clear that Marion is an emotionally damaged woman, though it will be a long time before we discover exactly how the various phases of her life connect up.
The catalyst is a small boy called Ika, who begins drifting into her life, visiting most Thursdays. He appears to be somewhat autistic and uncommunicative, but he has real gifts for art and for music. [Music plays a significant part here as in Olsson's other books, Bill Evans' "Peace Piece" especially setting the tone for the latter part of the novel.] The book has a slow beginning, but then something happens that accelerates both Marion's present-day actions and the flood of her memories. She finds herself having to reach out to her neighbors, take actions that might have legal consequences, and come to terms with what Ika means in her life.
The book is very much about second, third, and even fourth chances, starting another life after the previous one had effectively ended. We will learn about traumas that effectively tore Marion's childhood life into three separate fragments, and we will see them echoed in the painful fissures that ripped apart her adult one. My only complaint about the novel is that these reflections are just too obviously planned. You notice this at first in a too-close parallel between casual events in the present and the memories that they trigger. Later, the story comes to depend on one huge coincidence and a number of minor ones that would be enough to make some readers I know throw the book at the wall in disgust. But not me. For I know Olsson to be a musician, and if she wants to compose a novel as one might a sonata, with themes and variations and recapitulation, then I am willing to accept the artifice. Besides, I had come to care for the people, and ended the book with tears in my eyes. Tears of contentment. Tears of homecoming.
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