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The Divine Comedy, translated by Allen Mandelbaum, begins in a shadowed forest on Good Friday in the year 1300. It proceeds on a journey that, in its intense recreation of the depths and the heights of human experience, has become the key with which Western civilization has sought to unlock the mystery of its own identity.
Mandelbaum’s astonishingly Dantean translation, which captures so much of the life of the original, renders whole for us the masterpiece of that genius whom our greatest poets have recognized as a central model for all poets.
This Everyman’s edition–containing in one volume all three cantos, Inferno, Purgatorio, and Paradiso–includes an introduction by Nobel Prize—winning poet Eugenio Montale, a chronology, notes, and a bibliography. Also included are forty-two drawings selected from Botticelli's marvelous late-fifteenth-century series of illustrations.
(Book Jacket Status: Jacketed)
- Sales Rank: #278159 in eBooks
- Published on: 2013-02-26
- Released on: 2013-03-05
- Format: Kindle eBook
Review
"The perfect balance of tightness and colloquialism . . . Likely to be the best modern version of Dante."
— Bernard O'Donoghue
"Kirkpatrick brings a more nuanced sense of the Italian and a more mediated appreciation of the poem's construction than nearly all of his competitors."
— The Times (London)
"We gain much from Kirkpatrick's fidelity to syntax and nuance. . . . His introduction . . . tells you, very readable indeed, pretty much all you need for a heightened appreciation of the work."
— The Guardian (London)
About the Author
Dante Alighieri (1265–1321) was born in Florence and is considered Italy's greatest poet. It is believed that The Divine Comedy was written between 1308 and 1320.
Robin Kirkpatrick is a professor of Italian and English literature at the University of Cambridge and has written a number of books on Dante and on the Renaissance.
Eric Drooker is an award-winning painter and graphic novelist who has illustrated dozens of covers for the New Yorker and designed the animation for the film Howl, based on the poem by Allen Ginsberg. He lives in Berkeley, California.
Most helpful customer reviews
19 of 22 people found the following review helpful.
Missing All The Good Parts
By Severian
Kirkpatrick's translation of Dante's Italian is mediocre at best with many oddities cropping up in his translation which apparently are efforts to arbitrarily differentiate his work from the many other historic and recent Dante translations offered. E.G. Inferno I, 32 " a leopard light and lively, svelte and quick" menaces Dante (or does it? It sounds like a charming little kitty!). Also Inf XV 110-11 "If you yearn to set your eyes on such-like mangy scabs". None of this odd verbiage appears in Mandelbaum, Ciardi, or Hollander, so it looks like either Kirkpatrick is a geniue with rare insight into the Italian language or (my theory) he is just sprucing things up a bit for the sake of trying to be unique among the masses of Dantean translators.
For the same reason, he also likes to throw Dante's Latin quotes in untranslated (for the effect he says) e.g. Inf I, 111 "from which invidia has set her loose" or I, 64 "to him I screamed my Miserere". Does this really achieve any astistic or pedagogical goal or is it just an attempt to sound different from other translations? I felt unimpressed by these efforts, and in comparison to the many other translations I've read of Dante, I thought Kirkpatrick's over-emphasized variant approach added no additional interpretive meaning or aesthetic beauty.
The original three volume set of Kirkpatrick's version of the Comedy added at least excellent detailed introductions to each canticle along with detailed commentary for each canto, along with briefer line by line notes. This Penguin omnibus has eliminated all of the commentaries, and combined the three once separate introductions together into a patchwork essay that is about a quarter of the length of the combined three introductions from the separate volumes.
One looks to a Dante translation to have a mix of literary merit and / or pedagogical clarity. As mentioned above, I think RK's translation in and of itself does not have much going for it. The original three separate volumes at least had useful commentaries and intro essays, but these are now almost entirely missing leaving only the briefer more pedestrian line by line notes. The remaining notes aren't awful and are better than the one volume Comedy notes in say Nichols' translation or James' attempt at non-annotated Dante, but are nowhere near as good as the Ciardi Commedia one volume set. For most readers, the support "apparatus" to the text is as important as the quality of the translation, so the gutted intros and missing commentaries vitiate whatever merit Kirkpatrick's original volumes had.
As compared to other one volume Comedies, I think Mandelbaum is superior artistically and about as good in terms of notes. Sisson is also better artistically and has excellent notes. Ciardi is an acquired tastes aesthetically (I like him but the "dummy terza rima" he uses does not sit well with all readers) and his notes are the industry standard for single volume clarity and completeness. The Nichols translation is my favorite in terms of literary merit, but the notes are somewhat lacking. For the patient Dante enthusiast who can afford three separate volumes, and who can also take the time to read lengthy though excellent notes, the Hollanders are still the best way to come to understand Dante.
In any case, you see my point, I hope. There are many better options out that, and the truncated exposition and "hey, look at me!!" attempts at translational showmanship of this Kirkpatrick Commedia create a compelling case to seek out one (or more) of the alternatives. This is a tin-eared translation with minimal interpretive support at a high price.
0 of 0 people found the following review helpful.
Five Stars
By tonatzine fernandez
truly amazing
2 of 5 people found the following review helpful.
Awesome edition
By KC Weaver
I adore these Penguin deluxe editions. The redesigned covers and the deckle edged pages make it a must own for many of my favorite works. This is Dante, you need it on your shelf, and you need to know it to understand western culture. If you are reading it in English, grab this edition.
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