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The Lost Weekend, by Charles Jackson
Download PDF The Lost Weekend, by Charles Jackson
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The classic tale of one man’s struggle with alcoholism, this revolutionary novel remains Charles Jackson’s best-known book—a daring autobiographical work that paved the way for contemporary addiction literature.
It is 1936, and on the East Side of Manhattan, a would-be writer named Don Birnam decides to have a drink. And then another, and then another, until he’s in the midst of what becomes a five-day binge. The Lost Weekend moves with unstoppable speed, propelled by a heartbreaking but unflinching truth. It catapulted Charles Jackson to fame, and endures as an acute study of the ravages of alcoholism, as well as an unforgettable parable of the condition of the modern man.
- Sales Rank: #236325 in eBooks
- Published on: 2013-02-12
- Released on: 2013-02-12
- Format: Kindle eBook
Most helpful customer reviews
3 of 3 people found the following review helpful.
"The barometer of his emotional nature was set for a spell of riot"
By Schtinky
This book is definitely an instance of the book being better than the film, mainly because there is a wealth of inner dwelling in the book that cannot be captured on a screen. Jackson's prose starts out seeming a bit overblown, but quickly develops into a selfish, self-absorbed, and often offhandedly comical muse of the befuddled brain.
Charming gallantry, lies and fictions, excursions seeking pawn money, reminiscing of days past, each one poetically narrated by Jackson. His protagonist, Don Birnam, never once denies who or what he is. He's an alcoholic, and he serves only himself.
This book captures not just the degrading life of the alcoholic but the romanticism the addict infuses upon it. Even bungled up from a bad fall on the stairs, Don emphasizes his independence and self worth, at least internally, and leaves the hospital without treatment. He doesn't need anyone but himself, except when it comes to money to buy the booze.
Don knows he is charming, and knows he can hurt people by charming them, but he does it anyway because of the need for his own personal release. His mental escapades are astounding, his tales larger than life, his delusions more than reality: his highs are extraordinarily high and his lows are extraordinarily low. What we know now that we didn't know back when this book was written is how many addicts are bi-polar, but Jackson managed to capture this aspect of addiction long before science did.
'The Lost Weekend' isn't necessarily a fast-paced read, but rather something to nibble on when one is reflecting on what life has to dish out for us. For some, the monumental hurdles are mortgage and job promotions, for others, its finding those few bucks to get the next high.
'The Lost Weekend' is a must-have for your addiction collection, exploring the inner-space of addiction rather than the outer-space, or consequences, of it. The complacency, the drama, the edginess, the fulfillment, the tides: it's all here in the quick, inside look at a singular weekend. Enjoy!
17 of 17 people found the following review helpful.
Weekend at Birnam's
By Roochak
If you've only seen the 1945 film version of The Lost Weekend, brace yourselves. Not only did Charles Jackson fail to provide a happy ending to his novel, but he packed it with material that Hollywood censors couldn't deal with, most notably his protagonist's barely closeted homosexuality.
You might say that Jackson, writing from experience, had nothing to lose when he wrote this tale of five hellish days in the life of career alcoholic Don Birnam. Don drinks because that's what drunks do, and no amount of shame or regret or self-loathing -- or for that matter the love and concern of those close to him -- is going to compel him to stop. The book is a series of internal monologues interrupted by crackling good passages of action and dialogue between Don and the various people who stand between him and his next drink. There are some great scenes: Don's public humiliation in an upscale nightclub; running into a member of his old fraternity and learning some unpleasant truths about what his friends thought of him; desperately dragging his typewriter the length of Third Avenue in search of an open pawnshop; being hit on by a smirking gay male nurse in the alcoholic ward he wakes up in.
Don, who may or may not have acted on his homoerotic fantasies in the past, resents being made so easily by Bim, the nurse; but he also resents the love of his girlfriend Helen, unconditional when he's drunk and helpless, highly conditional in his brief periods of sobriety. In fact, Helen is a ghostly, vaguely menacing presence who doesn't even appear in the book until almost the very end, and Don seems to regard time spent with her as akin to a prison sentence.
THE LOST WEEKEND is a bleak and harrowing page-turner whose alcoholic hero winds up exactly where you'd expect him to wind up (unless, of course, you worked in Hollywood). The movie is a very different beast and is actually pretty good for what it is. But this novel? It's a taste of 100 proof horror, straight no chaser.
28 of 29 people found the following review helpful.
A thoughtful and penetrating read.
By pcushnie@snet.net
For years, "The Lost Weekend" has been one of my favorite movies of the 1940s. Ray Milland's oily style never seemed better suited than it did to the role of Don Birnam, the story's inveterate sneaking drunk, and the movie was-- and remains-- surprisingly hard-hitting for a film of that period. I also promised myself for years that I would read Charles Jackson's book of the same title on which the movies is based, and I finally have. Jackson's book takes place entirely from the perspective of the main character, Don Birnam, and entirely inside that character's head. It contains relatively little action and dialogue (don't look for too many familiar scenes from the movie, especially that upbeat, optimistic ending), being mostly comprised of Birnam's endless introspection and rationalization of his self-destructive behavior, laced with undercurrents of homosexuality. This is never dull, however. Birnam is an intelligent, sharp, and very entertaining fellow, even if you can never trust him, and Jackson keeps you whipping right along, with only occasional lapses into literary and philosophical tedium. I have no biographical information about the author, but the story is told with such knowledge and insight that I would be very surprised if it is not, to some large extent, based on personal experience. This is a very thoughtful and penetrating read, which, I am happy to say, has not detracted from my enjoyment of the movie.
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