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The breakthrough story collection that established A. M. Homes as one of the most daring writers of her generation
Originally published in 1990 to wide critical acclaim, this extraordinary first collection of stories by A. M. Homes confronts the real and the surreal on even terms to create a disturbing and sometimes hilarious vision of the American dream. Included here are "Adults Alone," in which a couple drops their kids off at Grandma's and gives themselves over to ten days of Nintendo, porn videos, and crack; "A Real Doll," in which a girl's blond Barbie doll seduces her teenaged brother; and "Looking for Johnny," in which a kidnapped boy, having failed to meet his abductor's expectations, is returned home. These stories, by turns satirical, perverse, unsettling, and utterly believable, expose the dangers of ordinary life even as their characters stay hidden behind the disguises they have so carefully created.
- Sales Rank: #601945 in eBooks
- Published on: 2013-01-29
- Released on: 2013-01-29
- Format: Kindle eBook
Review
Praise for The Safety of Objects:
“Enthralling . . . full of subversive humor and truth . . . original and stiletto sharp.” —The Washington Post
“Wonderfully skewed stories . . . sharp, funny, and playful . . . Homes is confident and consistent in her odd departures from life as we know it, sustaining credibility by getting details right. A fully engaged imagination [is] at work—and play.” —Amy Hempel, The Los Angeles Times
“Alarmingly good . . . It is hard to say exactly who Homes’s predecessors are—Roald Dahl, Rachel Ingalls, and J.D. Salinger all come to mind—but in many ways she is not unlike Cheever.” —The Village Voice
“A.M. Homes’ provocative and funny and sometimes very sad takes on contemporary suburban life impressed me enormously. The more bizarre things get, the more impressed one is by A.M. Homes’ skills as a realist, a portraitist of contemporary life at its more perverse.” —David Leavitt
“These stories are remarkable. They are awesomely well-written. In the sense of arousing fear and wonder in the reader they entertain, but what they principally bring us is a sense of recognition . . . Here are all the things that even today, even in our frank outspoken times, we don’t talk about. We think of them punishingly in sleepless nights.” —Ruth Rendell
“An unnerving glimpse through the windows of other people’s lives. A.M. Homes is a provocative and eloquent writer, and her vision of the way we live now is anything but safe.” —Meg Wolitzer
“Set in a world filled with edges to topple from, [The Safety of Objects] is permeated by the bizarre. . . . The unexpected emerges from the story itself, startling and unexpectedly right.” —The Cleveland Plain Dealer
About the Author
A. M. Homes is the author of the memoir The Mistress's Daughter and the novels This Book Will Save Your Life, Music for Torching, The End of Alice, In a Country of Mothers, and Jack. She has published fiction and essays in the New Yorker, Granta, Harper's Magazine, McSweeney's, One Story, the New York Times, and Vanity Fair, where she is a contributing editor. She lives in New York City.
Most helpful customer reviews
18 of 21 people found the following review helpful.
You'll Never Think of Suburbia in the Same Way Ever Again...
By Michael Crane
A.M. Homes has painted a dark and bizarre picture of suburbia, knocking down that whole fantasy of how the suburbs are pure and clean. She has put together a twisted collection of stories that are subtle, outrageous and downright disturbing. This is not an easy read for those who have weak stomachs or are extremely sensitive. However, if you're looking for something a little more darker and sinister, "The Safety of Objects" just might be the thing for you.
When you think of "suburbia," you think of somewhere that is safe, quiet, boring and normal. These stories take place in a neighborhood that could very well resemble somewhere where YOU live. The truth is that this "normal" neighborhood is contaminated with bizarre behavior and unbelievable stories. There's the couple who decide to do drugs when their kids are away from home. There's the kid who was abducted by a kidnapper, only to end up being a big disappointment to the abductor. There's the mother with the son that is in a coma after a car accident, and she doesn't know what should be done. And let's not forget about the little boy who has an extreme obsession with his sister's Barbie doll. These are only some of the stories you will uncover in this unrelenting and unapologetic read.
Homes has a great way of getting straight to the point without using any extra or unnecessary words. Her writing reminds me a little of Raymond Carver, only more twisted and graphic. She's able to create some very interesting and creepy characters without having to give you their complete life story. While there are some stories that I like more than others, I found myself enjoying the entire book. Just when I thought I had read some pretty twisted and disturbing stuff, I started to realize that I hadn't seen nothing yet after I started reading this book.
I cannot stress this enough; this is NOT recommended for those who are extremely sensitive and get offended easily. These stories are dark, graphic and unforgiving. Some stories aren't as extreme as others while there are some that'll make you feel downright guilty for reading. I had a hard time reading some of these stories, but A.M. Homes' craft is done so well that you can't help but continue reading. People who like Chuck Palahniuk are bound to get a kick out of these stories. My favorite stories in this collection are "Looking for Johnny," "Jim Train," "The Bullet Catcher," "Esther in the Night," and everyone's favorite cult classic, "A Real Doll," which is the funniest and most deranged story in the entire collection.
"The Safety of Objects" is a humorous and chilling read that you will have a hard time forgetting. It's great to see something that is supposed to be viewed as innocent such as "suburbia," and see it transformed into something much more sinister and terrifying. If you're a fan of the short story and aren't afraid to venture into some of the darkest and tragic corners of fiction, then this is something you should consider picking up. I will never forget these stories. They are forever imprinted into my brain. -Michael Crane
1 of 1 people found the following review helpful.
Quirky and Dysfunction Rule the Day
By JustinWrites
From this collection of 10 short stories, I was really bowled over by the first story, "Adults Alone," with its realistic and disturbing portrait of skewed parents who get a week-long vacation away from their two sons. Impending disaster and psychotic dysfunction are components of almost all of the stories here, as is the theme that behind every "normal"-looking person lurks the mind of a neurotic/obsessive/freakazoid. Those story elements and that theme worked for the first few stories in the book, because it was so fresh and so raw, but after awhile it grew stale and felt more like a conscious "quirky" style choice than true characterizations. "Looking for Johnny" is a standout, a twisted take on O. Henry's "The Ransom of Red Chief" that makes your skin crawl before breaking your heart. "Chunky in Heat" and "Jim Train" are both really interesting, and "Slumber Party" has a really nice flow to it, but the other half of the book is fairly forgettable. I would probably read one of her novels, because I definitely enjoyed her marginalized writing style and story choices (children in jeopardy, burgeoning sexuality & diseased minds) and she certainly qualifies as an original voice.
This collection from 1990 was turned into a movie with Glenn Close and Dermot Mulroney (among other stellar actors) with a script by its director, Rose Troche (of Indie "Go Fish" fame) in 2003.
0 of 0 people found the following review helpful.
Where the suburban heart is
By Alysson Oliveira
American cinema and literature have glimpsed close at lives in the suburbs with mixed results - some good ("Little Children", both movie and novel; Philip Roth's "American Pastoral", Raymond Carver's and John Cheever's stories, among others) and some not so ("American Beauty"). What most of the works focused on suburbia share is the sarcastic tone - rarely a tender look. It is not A. M. Homes' crafted collection of short stories "The Safety of Objects" that will change it - and that come as a blessing.
Published in the early 1990s, these stories seem to look to a world and a time far, far away. That was when either computer or cell phones were common equipments in everybody's lives, and there was some innocence that seemed to be lost in the turn of the century. But she is also able to capture the changing of times. One of her characters dreams of `a different kind of life, the kind he'd read about in stories of men outdoors, fishing trips and cabins in the woods'.
In "The Safety of Objects", Homes is more interested in the bizarre than in the peculiar. But the form how she portrays it never turn her characters into freaks. Here we have a fat girl called Chunky `in part after the candy bar'; a boy who dates his little sister's Barbie doll; a couple who behaves like children when her kids are away; and a kidnapped boy who fails his kidnapper expectations.
The writer's approach is to find the most human side of each of her characters meaning demystifying their possible freakiness. The boy dating the Barbie doll is `practicing for the future', for instance. This story, called "A Real Doll", by the way, has already become a classic. Another strange person, so to speak, who looks very realistic in Homes' pages Jim Train, the title character of a story, whose behavior is so bizarre that completely convincing.
The characters who people "The Safety of Objects" are people unsatisfied with their lives who has neither the chance nor the energy to change their present - they are sort of depressed or, at least, bipolar who can't move on, who is too deep in their nothingness to move over. Take Frank, the protagonist of "The Bullet Catcher", for instance, his goings to the mall becomes his biggest pleasure, and when his neighbors enters a competition this is one of the most exciting things in his life.
Homes' writing is sort a combination of Raymond Carver's sharp look at suburban life with Mary Gaitskill's taste for strangeness. However, in "The Safety of Objects", the writer is able to develop her own style which blends fun with a detailed account of dead-end lives. Moreover, she must be one of the best opening-sentences writer ever. "Elaine takes the boys to Florida and drops them off like they're dry cleaning". "I'm hiding in the linen closet writing letter to myself". "If something horrible happens it won't be my fault". And the best one: "I'm dating Barbie" - only four words that express so much about a character.
Chekhov is also an important reference when it comes to "The Safety of Objects". Homes is not only interested in the daily unglamorous lives of suburbia, but she also knows that when you show a gun in the first act, it will have to be fired until the third one.
As one character puts, he has `no desire to be beautiful or good. Somehow I suspect because it did not come naturally, I longed to be bad'. Maybe this how Homes expects her writings to be - not bad as in badly written, but bad as in a discomforting form, in a way that is disturbing as something that makes you think, question the way we live - and this is her best accomplishment.
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