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Ghana Must Go: A Novel, by Taiye Selasi
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Kweku Sai is dead. A renowned surgeon and failed husband, he succumbs suddenly at dawn outside his home in suburban Accra. The news of Kweku’s death sends a ripple around the world, bringing together the family he abandoned years before. Ghana Must Go is their story. Electric, exhilarating, beautifully crafted, Ghana Must Go is a testament to the transformative power of unconditional love, from a debut novelist of extraordinary talent.
Moving with great elegance through time and place, Ghana Must Go charts the Sais’ circuitous journey to one another. In the wake of Kweku’s death, his children gather in Ghana at their enigmatic mother’s new home. The eldest son and his wife; the mysterious, beautiful twins; the baby sister, now a young woman: each carries secrets of his own. What is revealed in their coming together is the story of how they came apart: the hearts broken, the lies told, the crimes committed in the name of love. Splintered, alone, each navigates his pain, believing that what has been lost can never be recovered—until, in Ghana, a new way forward, a new family, begins to emerge.
Ghana Must Go is at once a portrait of a modern family, and an exploration of the importance of where we come from to who we are. In a sweeping narrative that takes us from Accra to Lagos to London to New York, Ghana Must Go teaches that the truths we speak can heal the wounds we hide.
- Sales Rank: #265351 in eBooks
- Published on: 2013-03-05
- Released on: 2013-03-05
- Format: Kindle eBook
From Booklist
A father’s death leads to a new beginning for his fractured family in this powerful first novel. Kweku Sai is felled by a sudden heart attack at his home in Ghana. At the moment of his death, Kweku is filled with regret for his abandonment of his first wife, Fola, and their four children in Baltimore, many years ago, after losing his job as a surgeon. His four children are now scattered across the East Coast: Olu, a gifted surgeon who followed in his father’s footsteps; twins Taiwo and Kehinde, who share a terrible secret from childhood; and youngest daughter Sadie, who is struggling with her body image and sexuality. In the wake of their father’s death, the four siblings, along with Olu’s wife, Ling, reunite to journey to their mother’s home in Ghana, where secrets, resentments, and grief bubble to the surface. A finely crafted yarn that seamlessly weaves the past and present, Selasi’s moving debut expertly limns the way the bonds of family endure even when they are tested and strained. --Kristine Huntley
Review
This book is rich and deep, mesmerizing and spectacular. At times I felt it opened a portal onto something grand and profound about love and blood and the ties that bind. Read it and you will feel what great literature can do: you will feel you are more vividly alive -- Anna Funder Ghana Must Go is both a fast moving story of one family's fortunes and an ecstatic exploration of the inner lives of its members. With her perfectly-pitched prose and flawless technique, Selasi does more than merely renew our sense of the African novel: she renews our sense of the novel, period. An astonishing debut -- Teju Cole, author of Open City An eye for the perfect detail ... an unforgettable voice on the page ... miss out on Ghana Must Go and you will miss one of the best new novels of the season The Economist Taiye Selasi is the woman the literary world is drooling over ... [Ghana Must Go] is technically ambitious, poetically dense ... an unpredictable family story of love, abandonment, aspiration and migration -- Claire Allfree Metro Taiye Selasi writes with glittering poetic command, a sense of daring, and a deep emotional investment in the lives and transformations of her characters ... a powerful portrait of a broken family -- Diana Evans Guardian A most impressive first novel... She manages a generous coverage of time and space with adroit concision, along with a vibrant range of characters. The family is so convincing, with those telling problems of divided culture. Very much a novel of today -- Penelope Lively Taiye Selasi is a young writer of staggering gifts and extraordinary sensitivity. Ghana Must Go seems to contain the entire world, and I shall never forget it -- Elizabeth Gilbert, author of Eat, Pray, Love With mesmerizing craftsmanship and massive imagination [Taiye Selasi] takes the reader on an unforgettable journey across continents and most importantly deeply into the lives of the people whom she writes about. She de-"exoticizes" whole populations and demographics and brings them firmly into the readers view as complicated and complex human beings. Ghana Must Go is a big novel, elemental, meditative, and mesmerizing -- Sapphire, author of The Kid and Push In Ghana Must Go, Selasi drives the six characters skillfully through past and present, unearthing old betrayals and unexplained grievances at a delicious pace. By the time the surviving five convene at a funeral in Ghana, we are invested in their reconciliation--which is both realistically shaky and dramatically satisfying ... Narrative gold Elle Selasi's ambition - to show her readers not "Africa" but one African family, authors of their own achievements and failures - is one that can be applauded no matter what accent you give the word -- Nell Freudenberger The New York Times The first line of Taiye Selasi's buoyant first novel, Ghana Must Go, captures the book in miniature: "Kweku dies barefoot on a Sunday before sunrise, his slippers by the doorway to the bedroom like dogs." The springy dactylic meter of the prose (KWEku dies BAREfoot on a ...), the sly internal rhymes (Sunday, sunrise, doorway), the surprising twist on a cliche (to die like a dog), the invigorating mixture of darkness and drollery are a big part of what makes this book such a joy... It's an auspicious how-do-you-do to the world, and nearly every page of the novel displays the same bounce and animation... rapturous. Wall Street Journal
About the Author
Taiye Selasi was born in London and raised in Massachusetts. She holds a B.A. in American Studies from Yale and an M.Phil. in International Relations from Oxford. "The Sex Lives of African Girls" (Granta, 2011), Selasi's fiction debut, appears in Best American Short Stories 2012. She lives in Rome.
Most helpful customer reviews
63 of 67 people found the following review helpful.
"the world is too beautiful sometimes. ...There's no weight to it, no way to accept."
By Amelia Gremelspacher
So Kweku Sai knows as he lies dying in his garden. He is a remarkable surgeon. He must have known he had had a cardiac event. He took no action in that golden 30 minutes between event and dying. And he was barefoot.
There are no wasted words in this extraordinary novel. Each thought and each word fits into the whole. Kweku is 58 when he dies. He has four children, an ex wife and a new wife. Each of them comes to terms with his death in ways that are unexpected to them. Much bitterness has passed. He has taught himself and them that "loss is a notion. No more than a thought." But the small moments that elude closing the door on a grief or a memory come to light.
My favorite passage in the book is his trope on his new young wife, Ama. "She is a woman who can be satisfied." She is able to see to her needs without destroying the world around her. She is happy with him, and he is amazed. His first wife and his sister and his daughter were dangerous dreamer women. They saw the world as it could be making them insatiable. Despite the fact that I am of the dangerous variety, this vision of Ama is enchanting.
Kweku died without his slippers, yes I already said that. But his slippers come to symbolize the poor village boy, with scarred feet, who has come into the world of wealth and elegance where he might wear slippers. He dies without them in his wonderful house, back in Acra, overseeing the sea. The rest of the book is coming to terms. And to teach without being precious or hackneyed, the world is beautiful.
1 of 1 people found the following review helpful.
They f you up your mum and dad
By CBx
A book full of inarticulated emotions, crying, and the burden of unspoken ancestral pasts. I found the first part to be very thickly laid on with sorrow and regret, and after making it through, put the book aside for a while. The second part read more smoothly, and I finished the book. As others have mentioned, the characters are difficult, especially the children. For me it wasn't so much their accomplishments that seemed unbelievable, but that they were all stunningly beautiful, extremely intelligent, and each had a particular skill. All are, however, damaged and emotionally inaccessible, and this forms the crux of the plot. There were many moments in the story where I felt that much could be resolved by the characters speaking to each other, and feelings of shame are often invoked to explain why this never happens at an opportune moment.
There are moments of insight into people here, and some aspects of the story ring true. Overall, though, by repeating themes and having each member of the family undergo their own particular suffering (caused by other family members) the book is pervaded by heaviness and a sense of tragedy. I felt relief at the end of the book that stories were brought out into the open and feelings explained, but there is no "electricity and exhilaration" here and calling this a "testament to the transformative power of unconditional love" soundly misses the mark.
2 of 2 people found the following review helpful.
I've only read the first two chapters
By Ava
If whenever I get through this book I find it much better,I will come back and change my review. However as of chapter two it reads like a person trying to fit as many words, metaphors, and similes into each paragraph as possible; making it thus far a laborious and unengaging read.
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