Minggu, 28 Februari 2016

> Download Ebook Gestión y control del presupuesto de tesorería. ADGN0108 - Financiación de empresas (Spanish Edition), by Francisco J

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Gestión y control del presupuesto de tesorería. ADGN0108 - Financiación de empresas (Spanish Edition), by Francisco J



Gestión y control del presupuesto de tesorería. ADGN0108 - Financiación de empresas (Spanish Edition), by Francisco J

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Comprender el concepto y comportamiento del presupuesto de tesorería y su función dentro de la compañía, así como capacitar a futuros gestores de patrimonios o empresas a utilizar de forma adecuada esta útil herramienta. Conocer la composición del presupuesto de tesorería e identificar cada uno de sus elementos determinantes y sus principales características. Analizar las relaciones entre el servicio de tesorería y los distintos departamentos de la empresa con el objetivo de identificar los flujos de información generados y poder interpretarlos correctamente. Saber interpretar las desviaciones originadas en el presupuesto de tesorería y aplicar las medidas oportunas. Aplicar algunas de las herramientas informáticas disponibles para la elaboración del presupuesto de tesorería y el control de caja, en función de los objetivos perseguidos por el tesorero. Ebook ajustado al certificado de profesionalidad de financiación de empresas.

  • Sales Rank: #3013865 in eBooks
  • Published on: 2013-07-04
  • Released on: 2013-07-04
  • Format: Kindle eBook

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Jumat, 26 Februari 2016

> Get Free Ebook Bound Together: How We are Tied to Others in Good and Bad Choices, by Chris Brauns

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Bound Together: How We are Tied to Others in Good and Bad Choices, by Chris Brauns

We are not just isolated individuals. Instead, our lives are woven together with others. We have solidarity with other people—the choices one person makes affects the lives of others, for good and for bad.


 


Because much of the pain we endure in life is in the context of relationships, this truth often strikes us as unfair. Why should a child suffer because of the choices of his parents? And on a grander scale, why do we all suffer the curse of Adam’s sin? Why should anyone be judged for someone else’s sin?


 


In Bound Together, Chris Brauns unpacks the truth that we are bound to one another and to the whole of creation. He calls this, “the principle of the rope.” Grasping this foundational principle sheds new light on marriage, the dynamics of family relationships, and the reason why everyone lives with the consequences of the sins that others commit. Brauns shows how the principle of the rope is both bad news and good news, revealing a depth to the message of the gospel that many of us have never seen before.

  • Sales Rank: #867196 in eBooks
  • Published on: 2013-03-05
  • Released on: 2013-03-05
  • Format: Kindle eBook

About the Author

Chris Brauns, MDiv, DMin, is the senior pastor at the Congregational Christian Church of Stillman Valley, IL. His other books include Unpacking Forgiveness and When the Word Leads Your Pastoral Search. www.chrisbrauns.com

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6 of 6 people found the following review helpful.
Blessed be the tie that binds
By James R. V. Matichuk
We are connected to one another and the choices we make will impact those around us. There is really no such thing as `private sin' or personal piety but all of it spills over into the lives of loved ones and friends, neighborhoods and communities. Author and pastor Chris Brauns calls this the `principle of the rope' and roots it theologically in the biblical account of human fallenness and the hope of redemption found through Christ.

Bound Together divides into two sections. In part one, Brauns describes the `principle of the rope.' Because of Original Sin, Adam and Eve's fall from grace in the garden, all of their descendents were impacted. We are all born with the proclivity to sin because of it and face the consequences. Yet we need not go back to origins to see the principle at work. Braun begins his book with an account of a childhood friend's drunkenness and the alcoholism and struggles that whole family faced. We have all been directly impacted by the sins of others and that in turn has influenced our own decisions and perceptions of our world. Often the abused becomes the abuser and the cycle continues.

But Brauns doesn't leave us to wallow in the mire of human sinfulness but describes the hope we have in Christ. Through the life, death and resurrection of Jesus Christ, God has untied the rope and set us free. Those who respond with belief are bound together with Christ and share in fellowship with God and one another. The new rope (Christ) is stronger than the rope of Original Sin. Jesus Christ has broken the power of sin and death in our lives. All of that is part one.

In part two, Brauns describes how we can apply this `principle of the rope' in living out our lives. He urges Christians to lay hold of the joy that is promised to those bound together in Christ. He describes the hope Christ brings to the sinful, the hurting, and those who are facing the fear of death. Brauns also describes how marriage (for Christians) mirrors our connection to Christ, and how the gospel challenges American styled individualism.

There is a lot I commend in Brauns account. I certainly agree with his broad theological vision, both in his description of how our sin impacts our loved ones and neighbors (even when we tell ourselves it won't) and his description of the hope we have in Christ. I also appreciated the care in which Brauns described how generational sin impacts us and yet we remain free and our responisble for our own actions (see especially chapter four in the first section). What I really liked about Brauns's `principle of the rope' is that it gives us a new language to communicate the gospel in a way that is winsome and accessible. I also (theology nerd alert) loved that his book was organized by a `gospel grammar' of indicative-imperative. Part one declares the truth of the gospel whereas part two tells you how to live in light of that truth.

Nevertheless I found this book wanting in places. I agree with Brauns about the `principle of the rope,' but I felt that he insufficiently y unpacked the implications. He does talk briefly about abuse and the cycle of addictions but the socio-political implications are never fully addressed. Racism, sexism, poverty, prostitution exist on grand scales are imbedded in cultures because of the `principle of the rope.' The madness of crowds and institutional sin is hinted at but not fully explored by Brauns (though he does draw on the sociological insights of Bellah, Berger, Hunter and others). I honestly think he could have built a more compelling case for our complicity in corporate and institutional sin. I htink the hopelessness of the modern institution makes union with Christ more compelling.

Brauns also draws heavily on Reformed Evangelical sources (and Puritans). I have no axe to grind against Calvinists (I consider myself a .5 Calvinist) but they are not the only one to traverse this ground. I found myself thinking of other authors who have articulated our sharing in Sin and our Sharing in Christ. I wished that other theological voices were brought to the table because I believe they would have enriched Brauns's text. These include patristic sources like Augustine, and Irenaeus and modern sources like Jacques Ellul, Rene Girard, etc. I realized that Brauns own theological perspective is informed most by the Calvinist crowd, but if it is true that we are bound together in Christ, I would expect a more eccumenical feel to this book.

I also found myself occasionally excluded by Brauns. For example he uses his chapter on marriage to argue for Biblical Complementarianism using Ephesians 5:22-33 and dismisses Biblical egalitarianism as being baseless (tells an anecdote of one mouthy egalitarian to illustrate this). However he fails to put the wife's submission in the context of mutual submission [note: the word submission does not appear in the Greek of Ephesians 5:22. It is translated literally 'Wives to your husband as to the Lord. . . .' The verb 'to submit' is supplied by the previous verse, "Submit yourselves one to another.' The household code that follows is an explication of that mutual submission]. His word to the husband is that they are to serve their wife by leading them. Paul's words to husbands is that they should love them as Christ loved the church and gave himself up for her. I have no problem with Brauns being a complementarian but his decision to focus on that in this context meant that he failed to expound on the mutual aspects of this passage which speak to his overall theme.

These caveats aside I still think that this book can be read fruitfully. Brauns is on the right track and I loved the gospel focus of this book. This could be a good book for personal study or for a small group study (however a discussion guide is not in the book or on the publisher website). I give it three stars: ★ ★ ★

Thank you to Zondervan and Cross Focused Reviews for providing me a copy of this book in exchange for my honest review.

0 of 0 people found the following review helpful.
The Ties that Bind us to Adam & Christ
By Craig P. Hurst
Apart from the principle of the rope, it is impossible to understand the course of human history. (39)

Corporate solidarity and individualism. These words represent two concepts that speak to the heart of national and personal identities. Individualism is the mindset that one is as an island unto themselves. I am on my own and tied to no one. On the other hand, corporate solidarity speaks to the fact that, even though we are individuals, we are all tied together. While corporate solidarity is present within almost every society, more and more people are trying to live as if it were not so. After all, who wants to be tied to a Hitler? What innocent person wants to suffer for the actions of another? And yet, it is a reality of everyday life.

It is this idea of corporate solidarity, in fact, this biblical idea, that Chris Brauns writes about in his new book Bound Together: How We Are Tied to Others in Good and Bad Choices. The kind of corporate solidarity Brauns writes about is one that crosses community, ethnic and national solidarity. It is one that has tied us all together since the beginning of man. This is our corporate solidarity in Adam.

The Ties That Bind: By What & To Whom?

Corporate solidarity is a simple concept and Brauns does a masterful job of presenting it in an easily understandable manner. While the term can seem distracting from its simple meaning, Brauns uses an explanatory concept he calls the principle of the rope to help readers understand this important truth. The principle of the rope is "the simple truth that our lives, choices, and actions are linked to the lives, choices, and actions of other people." (25)

It is only natural that many people, even Christians, will have a hard time accepting this truth that permeates their everyday lives. Brauns reminds us of some biblical examples: consider the flood in Gen. 7 that destroyed everyone left on the earth, the judgement of Sodom and Gomorrah in Gen. 19, the plagues in Egypt as told in Exodus, the conquest of Canaan by Israel in Joshua and even the sin of Achan that brought death to many people. These are just a few examples of corporate solidarity that run throughout Scripture.

Bigger than any of these examples is the rope that ties all of humanity together from Adam till the last person on earth is born. This is the rope that ties us all to Adam and his choice to sin against God. It is here that the doctrine of original sin comes into the picture. Stated similarly to the principle of the rope, the doctrine of original sin "refers to the reality that we are all bound to Adam in his choice to disobey God's command." (44) In regards to the nature of original sin, Brauns distills what can be the complex discussion of the realist versus the federalist/covenant view. Despite the differences of how original sin works, Brauns takes away three overlapping essentials to each position:

All are counted guilty because of Adam's sin.
Al have a corrupt nature because of Adam's sin. "We sin because we are sinners" rather than "we are sinners because we sin."
All the death and suffering and pain of human history are predicated on Adam's failure in the garden. (48)
In the simplest terms using the rope analogy, "when Adam jumped off the cliff of sin and death in his rebellion against God, we were tied to him in his rebellion, and he pulled us over the side with him." (49) This is perhaps one of the clearest and most succinct analogies to explain the doctrine of original sin.

While the principle of the rope ties all of humanity since Adam to Adam, there is a rope with a stronger bond, that, once tied to, we are severed from our ties to Adam. While the principle of the rope initially brings bad news to all of mankind, it can also bring good news. Romans 5: 12-21 tells us of the rope tied to Christ that is stronger than the rope we are born with tied to Adam. The essential argument of the passage is this

"Just as we have been united to Adam - roped to him in his sin and rebellion - so now we can be united to Christ - roped to him - and receive his freedom, forgiveness, and salvation from our sin." (58)

Unlike the rope that ties us to Adam, this new rope that ties us to Christ cannot be broken. Similar to being severed physically from ones mother at the time of birth with the cutting of the umbilical cord, so believers are severed from their tie to Adam at the new birth and are then tied to Christ. They are united to Christ. It is this union with Christ that ensures we receive the status and benefits of our new tie to Christ.

Applications for Being Tied to Christ

While the first half of the book deals with defending the biblical doctrine of the principle of the rope, the second half of the book looks at several ways in which the principle of the rope has positive applications to our lives.

One of the benefits to being tied to Christ is the joy it brings. What might surprise readers is how this joy is experienced. After surveying numerous passages that discuss joy and the Christian life, Brauns concludes with the observation that joy in the Christian life is most experienced in our relationships with other believers. If the Christian life cannot be experienced as an island unto ones self, it follows that the joy of the Christian life cannot be experienced by ones self. We need the community of the saints to experience the fullness of the joy of our salvation in Christ.

Further, Brauns draws out helpful applications of being corporately tied to Christ within marriage, living in hurting families, help for those facing and fearing death along with applications for how Christians can utilize the ties that bind us together in the church and society.

Conclusion

While a book on corporate solidarity can potentially be a deep discussion, Brauns has done a masterful job of bringing its essential truths and components to the surface without loosing its teeth. Bound Together is a perfect model for how to condense big deep truths into manageable material. This is the kind of book that I would give to everyone in my church if I could.

Brauns ably and clearly explains the biblical doctrine of corporate solidarity that will make it hard for skeptical readers to disagree with. He does with it just as Scripture does, he gives us the bad news and then follows it up with the good. The tie that binds us to Adam is not so strong that the gospel of Jesus Christ cannot loose us from and in turn eternally tie us to the second Adam, Christ the savior.

NOTE: I received this book for free from Zondervan through Cross Focused Reviews in exchange for a review. I was under no obligation to provide a favorable review and the words and thoughts expressed are my own.

4 of 4 people found the following review helpful.
Strong, biblical implications for ALL
By Book Reviewer
Every person on earth is unique. All are designed specifically by our Creator. However, all are not isolated from one another, no matter how much we think we are or how badly we wish we could be individualistic in all aspects of life.

Pastor/Author, Chris Brauns has provided a book that emphasizes the "principle of the rope." This principle holds to the implications that all choices affect everyone. The choice doesn't necessarily have to be made by for it affect your life.

1 Corinthians 15 is a diving board that Brauns uses as the foundation for the principle of the rope. The first rope, held by Adam was unraveled, by his sin & the unraveling has reached to & unraveled all people. However, the second rope, held by Christ has those who profess Him as Lord & Savior knotted together & bound in Him.

This book gets straight to the heart of the matter. In the first two chapters, Brauns clearly explains the unraveling of the rope & throughout the remainder of the text, he explains the knotting back together of the second rope, which cannot break. The implications are seen in numerous ways. For example, in the community & fellowship of the local Church, the family & marriage. We were created for fellowship with our Creator and with other created beings. Being bound together is for the glory of God and truly for our good.

When someone is lifted up by the power of a good & wise decision, we are lifted up as well because we are tied to the same rope as the one who made the beneficial decision. When one makes an unwise decision and the rope is let down, we experience some sort of ramification(s) from that ill decision. This is part of life and Brauns writes with grace to urge readers to help lift up the rope with decisions that will benefit us all as we are tied to the rope for the glory of God and each other's good.

Chris Brauns is the pastor of Red Brick Church in Illinois. He has authored the following:

Unpacking Forgiveness (Crossway Publishers)
When the Word leads your Pastoral Search (Life-System)
I received this title from Cross Focused Reviews in exchange for a fair review. Thanks for the text and opportunity to review. This review is my own opinion(s). I was not required to write a positive review.

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Selasa, 23 Februari 2016

## Download PDF Making mediation work for you, by Kate Aubrey-Johnson

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Making mediation work for you is an accessible guide to how mediation works, providing an introduction for anyone considering mediation as an alternative to going to court.

  • Sales Rank: #3594462 in eBooks
  • Published on: 2012-06-25
  • Released on: 2012-06-25
  • Format: Kindle eBook

About the Author
Kate is a barrister at Garden Court Chambers, London and has been an accredited mediator since 2007. With ten years experience as a criminal defence practitioner and public lawyer she is seen as both a facilitative and dynamic mediator. Helen is a barrister at Garden Court Chambers with over twenty years experience. She is an accredited mediator and restorative justice facilitator.

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0 of 0 people found the following review helpful.
At last!
By Phillip Taylor MBE
[[VIDEOID:moX53JU0X11ZHI]]

A PRACTICAL, ACCESSIBLE AND AUTHORITATIVE GUIDE TO MEDIATION - NEW FROM THE LEGAL ACTION GROUP

An appreciation by Phillip Taylor MBE and Elizabeth Taylor of Richmond Green Chambers

Once again that very useful organization, the Legal Action Group has triumphed with the publication of another very useful book which sets out to de-complicate the often bewildering complexities of the legal process - in this case, mediation.

As Lord Woolf remarks in the foreword, `Making Mediation Work For You' does precisely that: it breaks new ground in that it's written for those for whom mediation is intended -- the ordinary citizen who is seriously affected by a dispute and who seeks redress without having to incur the expense or indeed the stress of going to court.

The publication of this book is timely in view of the dramatic reduction in access to legal aid for the aforementioned `ordinary citizen.' Proposals currently under consideration by the Ministry of Justice to encourage more pre-trial mediation will attract a high readership for this new book almost certainly, so Kate Aubrey-Johnson with Helen Curtis are onto a winner here !

The beauty of the book and a notable characteristic which distinguishes it from so many other legal advice publications is its crystalline clarity. Praise be - you don't need to be a lawyer to understand it, although if you are a lawyer, you will appreciate its straightforwardness and accessibility. What wonderful time-savers these two latter attributes are!

In the words of Harry Woolf, `this book should provide all the ammunition needed to conduct a successful mediation,' adding that it `deals simply and clearly with the hazards of mediation' and should (therefore) become `the standard companion of mediators....providing a way in which the citizen can, even without legal aid, find a way of resolving his or her problem'.

Which is why, if you are not a lawyer, this book, with its practical approach, guides you straight to the right questions to ask regarding mediation (whether you decide to brief a lawyer or not) and the right routes to take through the mediation process.

If you're a lawyer, however, and possibly a qualified mediator, you'll appreciate the book's comprehensive and authoritative coverage of its subject matter which examines the full spectrum of issues pertaining to mediation, from the process itself to the skills, strategies and techniques required and of course much more.

All areas of mediation are dealt with including civil, family, workplace and community mediation.

The eleven appendices plus case studies, glossary and detailed index of some twenty-six pages are particularly helpful when you're under pressure and pressed for time.

With most litigants now encouraged to mediate, this up-to-date handbook should be considered a must-have addition to the mediator's professional library, not to mention an enlightening read for non-lawyers. The publication date is stated as at May 2012.

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## Ebook Free Developmental Toxicology, Third Edition (Target Organ Toxicology Series), by Deborah K. Hansen, Barbara D. Abbott

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Developmental Toxicology, Third Edition (Target Organ Toxicology Series), by Deborah K. Hansen, Barbara D. Abbott

Highlighting latest advances in genetics and biochemistry, the completely revised Third Edition reviews the field from basic science, clinical, epidemiological, and regulatory perspectives. Contributions from top opinion leaders in the field bring together developments in molecular embryology and cell biology as they apply to problems in developmental toxicology. It covers testing of pharmaceutical and environmental agents and interpretation of developmental toxicology data, highlighting mathematical and statistical techniques, as well as the effects of toxic exposure on the functional development of various organs.



The relationship between maternal and developmental toxicology is examined, in addition to current techniques for studying chemical disposition, metabolism, and placental transfer. Close attention is given to the regulatory aspects of testing and risk assessment. Pre- and postconceptional clinical care and genetic factors in clinical developmental toxicology are also discussed.



Key topics include:






  • the roles of apoptosis and signal transduction pathways in normal and abnormal development

  • the role of epigenetic changes in development

  • the role of nutrition and individual susceptibility

  • the utility of bioinformatics

  • global and targeted gene expression changes

  • Published on: 2008-10-22
  • Released on: 2008-10-22
  • Format: Kindle eBook

About the Author

DEBORAH K. HANSEN is a research biologist in the Division of Genetic and Reproductive Toxicology, the National Center for Toxicological Research, Jefferson and Adjunct Associate Professor of Pharmacology and Interdisciplinary Toxicology, University of Arkansas for Medical Sciences, Little Rock, Arkansas, USA. She received her M.S. in genetics from Iowa State University, Ames, Iowa and her Ph.D. in medical genetics from Indiana University School of Medicine, Indianapolis, Indiana, USA. Dr. Hansen is a member of both the Teratology Society, of which she is Secretary, and the Society of Toxicology. She has contributed to numerous peer-reviewed publications on the subjects of reproductive toxicology, embryotoxicity, and developmental toxicology.

BARBARA D. ABBOTT is Research Biologist in the Reproductive Toxicology Division of the U.S. Environmental Protection Agency (EPA), Research Triangle Park, North Carolina, USA. She received both her M.S. and Ph.D. in toxicology from North Carolina State University, Raleigh, North Carolina, USA. Dr. Abbott is a member of the Teratology Society and the Society of Toxicology. She is Associate Editor of Toxicological Sciences and serves on the editorial board of Reproductive Toxicology. Dr. Abbott has also received several Scientific and Technological Achievement awards from the U.S. EPA and has been a frequent invited lecturer at international meetings and symposiums. Her main area of interest is developmental toxicity, particularly complex, interactive signal transduction and receptor-mediated pathways.

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Minggu, 21 Februari 2016

^ Ebook Download Ghana Must Go: A Novel, by Taiye Selasi

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Ghana Must Go: A Novel, by Taiye Selasi

Kweku Sai is dead. A renowned surgeon and failed husband, he succumbs suddenly at dawn outside his home in suburban Accra. The news of Kweku’s death sends a ripple around the world, bringing together the family he abandoned years before. Ghana Must Go is their story. Electric, exhilarating, beautifully crafted, Ghana Must Go is a testament to the transformative power of unconditional love, from a debut novelist of extraordinary talent.  

Moving with great elegance through time and place, Ghana Must Go charts the Sais’ circuitous journey to one another. In the wake of Kweku’s death, his children gather in Ghana at their enigmatic mother’s new home. The eldest son and his wife; the mysterious, beautiful twins; the baby sister, now a young woman: each carries secrets of his own. What is revealed in their coming together is the story of how they came apart: the hearts broken, the lies told, the crimes committed in the name of love. Splintered, alone, each navigates his pain, believing that what has been lost can never be recovered—until, in Ghana, a new way forward, a new family, begins to emerge.

Ghana Must Go is at once a portrait of a modern family, and an exploration of the importance of where we come from to who we are. In a sweeping narrative that takes us from Accra to Lagos to London to New York, Ghana Must Go teaches that the truths we speak can heal the wounds we hide.

  • Sales Rank: #265351 in eBooks
  • Published on: 2013-03-05
  • Released on: 2013-03-05
  • Format: Kindle eBook

From Booklist
A father’s death leads to a new beginning for his fractured family in this powerful first novel. Kweku Sai is felled by a sudden heart attack at his home in Ghana. At the moment of his death, Kweku is filled with regret for his abandonment of his first wife, Fola, and their four children in Baltimore, many years ago, after losing his job as a surgeon. His four children are now scattered across the East Coast: Olu, a gifted surgeon who followed in his father’s footsteps; twins Taiwo and Kehinde, who share a terrible secret from childhood; and youngest daughter Sadie, who is struggling with her body image and sexuality. In the wake of their father’s death, the four siblings, along with Olu’s wife, Ling, reunite to journey to their mother’s home in Ghana, where secrets, resentments, and grief bubble to the surface. A finely crafted yarn that seamlessly weaves the past and present, Selasi’s moving debut expertly limns the way the bonds of family endure even when they are tested and strained. --Kristine Huntley

Review
This book is rich and deep, mesmerizing and spectacular. At times I felt it opened a portal onto something grand and profound about love and blood and the ties that bind. Read it and you will feel what great literature can do: you will feel you are more vividly alive -- Anna Funder Ghana Must Go is both a fast moving story of one family's fortunes and an ecstatic exploration of the inner lives of its members. With her perfectly-pitched prose and flawless technique, Selasi does more than merely renew our sense of the African novel: she renews our sense of the novel, period. An astonishing debut -- Teju Cole, author of Open City An eye for the perfect detail ... an unforgettable voice on the page ... miss out on Ghana Must Go and you will miss one of the best new novels of the season The Economist Taiye Selasi is the woman the literary world is drooling over ... [Ghana Must Go] is technically ambitious, poetically dense ... an unpredictable family story of love, abandonment, aspiration and migration -- Claire Allfree Metro Taiye Selasi writes with glittering poetic command, a sense of daring, and a deep emotional investment in the lives and transformations of her characters ... a powerful portrait of a broken family -- Diana Evans Guardian A most impressive first novel... She manages a generous coverage of time and space with adroit concision, along with a vibrant range of characters. The family is so convincing, with those telling problems of divided culture. Very much a novel of today -- Penelope Lively Taiye Selasi is a young writer of staggering gifts and extraordinary sensitivity. Ghana Must Go seems to contain the entire world, and I shall never forget it -- Elizabeth Gilbert, author of Eat, Pray, Love With mesmerizing craftsmanship and massive imagination [Taiye Selasi] takes the reader on an unforgettable journey across continents and most importantly deeply into the lives of the people whom she writes about. She de-"exoticizes" whole populations and demographics and brings them firmly into the readers view as complicated and complex human beings. Ghana Must Go is a big novel, elemental, meditative, and mesmerizing -- Sapphire, author of The Kid and Push In Ghana Must Go, Selasi drives the six characters skillfully through past and present, unearthing old betrayals and unexplained grievances at a delicious pace. By the time the surviving five convene at a funeral in Ghana, we are invested in their reconciliation--which is both realistically shaky and dramatically satisfying ... Narrative gold Elle Selasi's ambition - to show her readers not "Africa" but one African family, authors of their own achievements and failures - is one that can be applauded no matter what accent you give the word -- Nell Freudenberger The New York Times The first line of Taiye Selasi's buoyant first novel, Ghana Must Go, captures the book in miniature: "Kweku dies barefoot on a Sunday before sunrise, his slippers by the doorway to the bedroom like dogs." The springy dactylic meter of the prose (KWEku dies BAREfoot on a ...), the sly internal rhymes (Sunday, sunrise, doorway), the surprising twist on a cliche (to die like a dog), the invigorating mixture of darkness and drollery are a big part of what makes this book such a joy... It's an auspicious how-do-you-do to the world, and nearly every page of the novel displays the same bounce and animation... rapturous. Wall Street Journal

About the Author
Taiye Selasi was born in London and raised in Massachusetts. She holds a B.A. in American Studies from Yale and an M.Phil. in International Relations from Oxford. "The Sex Lives of African Girls" (Granta, 2011), Selasi's fiction debut, appears in Best American Short Stories 2012. She lives in Rome.

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63 of 67 people found the following review helpful.
"the world is too beautiful sometimes. ...There's no weight to it, no way to accept."
By Amelia Gremelspacher
So Kweku Sai knows as he lies dying in his garden. He is a remarkable surgeon. He must have known he had had a cardiac event. He took no action in that golden 30 minutes between event and dying. And he was barefoot.

There are no wasted words in this extraordinary novel. Each thought and each word fits into the whole. Kweku is 58 when he dies. He has four children, an ex wife and a new wife. Each of them comes to terms with his death in ways that are unexpected to them. Much bitterness has passed. He has taught himself and them that "loss is a notion. No more than a thought." But the small moments that elude closing the door on a grief or a memory come to light.

My favorite passage in the book is his trope on his new young wife, Ama. "She is a woman who can be satisfied." She is able to see to her needs without destroying the world around her. She is happy with him, and he is amazed. His first wife and his sister and his daughter were dangerous dreamer women. They saw the world as it could be making them insatiable. Despite the fact that I am of the dangerous variety, this vision of Ama is enchanting.

Kweku died without his slippers, yes I already said that. But his slippers come to symbolize the poor village boy, with scarred feet, who has come into the world of wealth and elegance where he might wear slippers. He dies without them in his wonderful house, back in Acra, overseeing the sea. The rest of the book is coming to terms. And to teach without being precious or hackneyed, the world is beautiful.

1 of 1 people found the following review helpful.
They f you up your mum and dad
By CBx
A book full of inarticulated emotions, crying, and the burden of unspoken ancestral pasts. I found the first part to be very thickly laid on with sorrow and regret, and after making it through, put the book aside for a while. The second part read more smoothly, and I finished the book. As others have mentioned, the characters are difficult, especially the children. For me it wasn't so much their accomplishments that seemed unbelievable, but that they were all stunningly beautiful, extremely intelligent, and each had a particular skill. All are, however, damaged and emotionally inaccessible, and this forms the crux of the plot. There were many moments in the story where I felt that much could be resolved by the characters speaking to each other, and feelings of shame are often invoked to explain why this never happens at an opportune moment.
There are moments of insight into people here, and some aspects of the story ring true. Overall, though, by repeating themes and having each member of the family undergo their own particular suffering (caused by other family members) the book is pervaded by heaviness and a sense of tragedy. I felt relief at the end of the book that stories were brought out into the open and feelings explained, but there is no "electricity and exhilaration" here and calling this a "testament to the transformative power of unconditional love" soundly misses the mark.

2 of 2 people found the following review helpful.
I've only read the first two chapters
By Ava
If whenever I get through this book I find it much better,I will come back and change my review. However as of chapter two it reads like a person trying to fit as many words, metaphors, and similes into each paragraph as possible; making it thus far a laborious and unengaging read.

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Jumat, 19 Februari 2016

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  • Published on: 2013-07-04
  • Released on: 2013-07-04
  • Format: Kindle eBook

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  • Sales Rank: #3942130 in eBooks
  • Published on: 2013-07-04
  • Released on: 2013-07-04
  • Format: Kindle eBook

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Assassin's Gambit: The Hearts and Thrones Series, by Amy Raby

Vitala Salonius, champion of the warlike game of Caturanga, is as deadly as she is beautiful. She’s a trained assassin for the resistance, and her true play is for ultimate power. Using her charm and wit, she plans to seduce her way into the emperor’s bed and deal him one final, fatal blow, sparking a battle of succession that could change the face of the empire.
 
As the ruler of a country on the brink of war and the son of a deposed emperor, Lucien must constantly be wary of an attempt on his life. But he’s drawn to the stunning Caturanga player visiting the palace. Vitala may be able to distract him from his woes for a while—and fulfill other needs, as well.
 
Lucien’s quick mind and considerable skills awaken unexpected desires in Vitala, weakening her resolve to finish her mission. An assassin cannot fall for her prey, but Vitala’s gut is telling her to protect this sexy, sensitive man. Now she must decide where her heart and loyalties lie and navigate the dangerous war of politics before her gambit causes her to lose both Lucien and her heart for good.…

  • Sales Rank: #425487 in eBooks
  • Published on: 2013-04-02
  • Released on: 2013-04-02
  • Format: Kindle eBook

Review
"In a strong debut launching an Ancient Rome-inspired romantic fantasy series, Raby offers a captivating tale of an assassin who falls for her target....The main characters have excellent chemistry, meshing right from the start. In addition to the richly imagined world and a delightfully entertaining tale of magic and intrigue, Raby also delivers an understated yet versatile magic system." - Publisher's Weekly

"A great read." - Dear Author...

"An exquisite debut novel. The scope of the novel is...epic, as it roams through counties and territories, introducing us to dozens of strong and dynamic characters. The setting is beautiful, and the story line is one that will instantly attract readers searching for everything from a sizzling romance to a vast adventure filled with mystery, intrigue, and murder." - Night Owl Reviews (top pick)

"Raby's debut heralds the arrival of a terrific new fantasy romance voice....[Raby] has a gift for storytelling." - RT Book Reviews

"There's nothing quite as sexy as a woman who can be both assassin and love....The hot tension between [Vitala] and Lucien will keep readers eagerly turning pages." - Coffee Time Romance & More

"A great setting and protagonists worth rooting for." - All About Romance

About the Author
Amy Raby is literally a product of the U.S. space program, since her parents met working for NASA on the Apollo missions. After earning her bachelor's in Computer Science from the University of Washington, Amy settled in the Pacific Northwest with her family, where she's always looking for life's next adventure, whether it's capsizing tiny sailboats in Lake Washington or riding dressage horses. Amy is a 2011 Golden Heart® finalist and a 2012 Daphne du Maurier winner. Assassin's Gambit is her debut novel.

Excerpt. © Reprinted by permission. All rights reserved.

Chapter 1

“Vitala Salonius?”

She set down her heavy valise on the dock’s oak planking. The man approaching her looked the quintessential Kjallan—tall and muscular, black hair, and a hawk nose. He wore Kjallan military garb, double belted, with a sword on one hip. On the other hip sat a flintlock pistol with a walnut stock and gilt bronze mounts, so fine and polished that Vitala found herself coveting it. His orange uniform bore no blood mark but instead the sickle and sunburst—the insignia of the Legaciatti, which made him one of the emperor’s famed personal bodyguards.

“Yes, sir. That’s me,” she said.

His handsome face broke into a smile. “My name is Remus, and I’m here to escort you to the palace. I’ll get that for you.” He hefted the valise with ease and gestured at a carriage waiting at the end of the dock.

She followed him, swaying at the sensation of being on dry land after two weeks aboard ship. Remus’s riftstone was not visible. Most Kjallan mages wore them on chains around their necks, concealed beneath their clothes. The collar of Remus’s uniform hid even the chain. He was certainly a mage—all the Legaciatti were—but she could not tell what sort of magic he possessed. Was he a war mage? That was the only type difficult to kill. She relaxed her mind a little, opening herself to the tiny fault lines that separated her world from the spirit world, and viewed the ghostly blue threading of his wards. He was well protected from disease, parasites, and even from the conception of a child.

They arrived at the carriage, a landau pulled by dark bays. At Remus’s gesture, she climbed inside. He handed her valise to a bespectacled footman, who heaved it onto the back and strapped it in place. Remus, whom she’d expected to ride on the back or up front with the driver, stepped into the carriage and sat in the seat opposite her. Of course. The vetting process began here. He would make small talk, and she’d have to be very, very careful what she said to him.

The carriage lurched forward, and the Imperial City of Riat began to pass by the windows—wide streets and narrow ones, large homes and small ones, with the usual collection of inns, shops, and street vendors crammed into the available spaces. She spotted a millinery shop, a gunsmith, a Warder’s, an open-air market with fresh, imported lemons. A newsboy with an armload of papers cried his wares from a corner. Kjallan townsfolk moved about the streets, buying, flirting, and trading gossip. The citizens caught her eye with their brightly colored, robelike syrtoses, while slaves in gray flitted by like shadows. The city was pleasant enough, but unremarkable. Well, what had she expected? Marble houses? Streets lined with diamonds?

“I hear you’re a master of Caturanga,” said Remus.

“Yes, sir. I won the tournament this year in Beryl.”

“The emperor was impressed by your accomplishment.” His blue eyes studied her with a more than casual interest.

“I’m honored by that.”

“And you’re from the province of Dahat?”

Please don’t be from Dahat yourself. It would be a disaster if he were looking for someone to swap childhood stories with. She’d been to Dahat, so she could provide a few details about the region, but she hadn’t grown up there. “Yes, sir.”

“How are feelings toward the emperor there?”

Her forehead wrinkled. What sort of question is that? “Citizens of Dahat have great respect for Emperor Lucien.”

Remus laughed. “You think this is a loyalty test, don’t you? Tell me the truth, Miss Salonius. Emperor Lucien likes to know how public sentiment runs throughout his empire. Platitudes and blind expressions of loyalty mean nothing to him. He wants honesty.”

Vitala bit her lip. “I’ve been on the Caturanga circuit for more than three years, sir, longer than Emperor Lucien’s reign. What little I picked up from my visits home is that while most of the citizenry supports him, there are some who disapprove of his policies and preferred the former emperor. I imagine that would be true in any province.”

“Indeed,” said Remus. “There are those who miss the old Emperor Florian and his Imperial Garden. Have you had the privilege of visiting it?”

“Visiting what?”

“Florian’s Imperial Garden.”

“No, sir. This is my first visit to the palace.” Vitala was puzzled. He had to know that already.

“Ah,” he said. “You should seek it out during your visit.”

“That would be lovely, sir.”

The carriage tilted backward. Vitala looked out her window. They’d passed through the city and started up the steep hill that led to the Imperial Palace. The carriage was navigating the first of half a dozen switchbacks. When she turned back to Remus, his eyes had lost their intensity. Whatever the test was, it seemed she’d passed it. “You are the first woman to win the Beryl tournament,” he said. “Pray tell me who you studied under.”

Vitala smiled. This was one of the questions she’d been coached on. “My father taught me to play when I was four years old and I showed an aptitude for the game. Within a year, I could beat my cousins. Later, I studied under Caecus, and when I’d mastered his teachings, I studied under Ralla.” She droned on, feeding him the lies she’d recited under Bayard’s tutelage. Remus leaned back and nodded dully. It seemed he’d lost interest in her. Thank the gods.

As the carriage crested the final switchback, Vitala craned her neck for a look at the Imperial Palace. Three white marble domes, each topped with a gilt roof, rose into view, gleaming in the sunshine. Next appeared the numerous outbuildings and walled gardens that surrounded the domes. A wide, tree-lined avenue directed them to the front gates.

Inside the palace, silk hangings of immeasurable value draped the walls, while priceless paintings and sculptures graced every nook. She’d never been anywhere so boldly ostentatious. What a contrast to Riorca, with its broken streets and ramshackle pit houses! How much of this had been built by Riorcan slave labor?

Two Legaciatti, both women, met them inside the door. Vitala studied them, curious at the oddity of female Kjallan soldiers. Bayard had told her that women made ideal assassins for Kjallan targets because Kjallan men didn’t take women seriously. Ostensibly, that was true; Kjall was patriarchal, and women had little power under the law. But as she’d traveled on the tournament circuit, she’d learned the reality was more complicated. Most Kjallan men were soldiers who were often away from home. In their absence, their wives had authority over their households. Women and slaves were the real engine of Kjall’s economy; few men had many practical skills outside of soldiering.

“Search her,” ordered Remus.

One of the women beckoned. “Come along.”

The search took place in a private room and was humiliatingly thorough. Vitala knew what they were looking for: concealed weapons or perhaps a riftstone. They would not find either. She didn’t wear her riftstone around her neck; it was surgically implanted in her body, along with the deathstone, her escape from torture and interrogation if she botched this mission. Her weapons were magically hidden where none but a wardbreaker could detect them. And there were no Kjallan wardbreakers; only Riorcans possessed the secrets of that form of magic.

As she put her clothes back on, the Legaciatti emptied her valise, checked it for hidden compartments, and pawed through her paltry collection of spare clothes, undergarments, powders, and baubles. They found nothing that concerned them.

They repacked her things and led her up two flights of white marble stairs. The walls were rounded and concave; she must be in one of the domes. Her room was the third on the right from the top of the stairway. A young guard with peach fuzz on his chin stood in front of it, wearing an orange uniform but no sickle and sunburst. Peach fuzz. He looked familiar.

The young soldier lay on the cot, his wrists and ankles bound. His blanket had fallen to the floor, a result of his struggles. His eyes jerked toward her, wide with fear, but when he saw her, he relaxed a little. He wasn’t expecting a teenage girl.

“Miss Salonius?”

He shouldn’t know her name. How did he know her name?

“Miss Salonius?”

And why did he sound like a woman?

Vitala blinked. The Legaciatti were staring at her in concern. “Miss Salonius?” one of them asked.

“I’m sorry.” Gods, where was she? Marble walls. The Imperial Palace.

“You stopped moving. You were staring into space.”

“Sorry, I was . . . never mind.” Averting her eyes so that she wouldn’t see the young man guarding her door, she stepped inside.

Vitala’s room was a suite. Just inside was a sitting room with a single peaked window along its curved wall and a pair of light-glows in brass mountings suspended from the ceiling. The room was lavishly furnished with carved oaken tables and chairs upholstered in silk. A bookshelf on the far wall drew her eye. Among its contents, she recognized all the classic treatises on Caturanga and some she’d never seen before, as well as books on other subjects. An herbal by Lentulus. Cinna’s Tactics of War. Numerous works of fiction, including the notoriously racy Seventh Life of the Potter’s Daughter. Who had put that a book like that into an otherwise erudite bookshelf?

On a table in the center of the room sat the finest Caturanga set she’d ever seen. Pieces of carved agate with jeweled eyes winked at her from a round, two-tiered board of polished marble. She picked up one of the red cavalry pieces. The rider was richly detailed down to the folds of his cloak. The warhorse was wild-eyed, his beautifully carved expression showing equal parts fear and determination.

Had Emperor Lucien set up this room just for her? No, of course not. He hosted many Caturanga champions. Probably all of them had been housed here.

The bedroom was equally fine, with a high, four-poster bed, silk sheets, and a damask down-stuffed comforter. The silk hangings were blue and red. Was that by design? Blue and red were the traditional colors of Caturanga pieces.

“You will reside here until the emperor summons you,” a Legaciatta instructed. “Take your rest as needed, but you are not to wander about the palace. If you desire something, such as food or drink, ask the door guard. If you wish to bathe, he can escort you to the baths on the lower level.”

Vitala nodded. “Thank you, ma’am.”

The Legaciatti left, closing the door behind them. Vitala went to the window—real glass, she noted—and peered out. Below was a walled enclosure obscured by a canopy of trees, through which she caught glimpses of red, purple, and orange. The famous Imperial Garden? Looking up to take in the broader view, she noticed a patch of too-light blue in the sky and picked out the Vagabond, the tiny moon that glowed blue at night but faded almost to invisibility in the daytime. God of reversals and unforeseen disaster, the Vagabond wandered across the sky in the direction opposite the other two moons, and was not always a favorable sighting. “Great One, pass me by,” she prayed reflexively.

Leaving the window and lighting one of the glows with a touch of her finger, she pulled Seventh Life from the bookshelf. Sprawling on a couch, she waited upon the pleasure of the emperor.



 

Vitala was not her given name. When she was born dark-haired, Papa named her Kolta: “blackbird.”

She was eight years old when the stranger arrived. Mama and Papa took him into the bedroom to speak with him. They shut her out, but she pressed her ear against the door to listen.

“We’ve completed the testing,” said the stranger, “and your daughter is exactly what we’re looking for. Highly intelligent, physically strong, and coordinated. And, of course, she’s black-haired.”

Mama said something she couldn’t quite make out.

“In the village, perhaps,” replied the stranger. “But in the Circle, dark hair is an asset. She can pass for Kjallan. It will allow her to move in areas where others cannot.”

More mumbling from Mama.

“The Circle is prepared to offer you compensation. Four hundred tetrals.”

Papa gasped.

Mama raised her voice. “I’m not selling my daughter!”

“Of course not,” soothed the stranger. “But Kolta will never reach her potential here in the village—not with the prejudice against girls like her. Why subject her to harassment and ostracism, when among the Circle she will be valued and revered? The money is our gift to you. A token of our thanks for aiding Riorca in its time of need.”

Mama began to sob.

“Treva, he’s right,” said Papa. “It would be selfish to keep Kolta here. A half-Kjallan bastard will never be accepted—”

“You hate her!” cried Mama. “You want to be rid of her!”

“Madam,” said the stranger, “consider the advantages to Kolta in joining the Circle. She will receive a thorough education, far better than anything she could get here. And she will be among her own kind. We have other half-breeds like her, dark-haired girls who know what it’s like to be Riorcan but look Kjallan. For the first time in her life, she will have friends.”

Mama continued to sob.

“Treva, think of it,” said Papa. “Four hundred tetrals! You know what that money would mean for us. This man is right. The Circle can do far better for Kolta than we can.”

Something unintelligible from Mama.

“No,” said the stranger. “It must be now. She must begin her language training immediately, or she’ll never speak with the proper accent.”

A long silence followed, broken only by Mama’s sobbing. There were soft words that Kolta could not make out.

The stranger was saying, “We find it’s best if there are no good-byes.”

The door opened, and the stranger stepped out. Terrified, Kolta hid in the corner between the wall and the door. But the door moved away, revealing her. The stranger stared down at her in surprise. “Were you listening, Kolta?”

She shook her head.

He knelt, bringing himself to her eye level. “Tell me the truth, and you will not be in trouble. Were you listening?”

She hesitated a moment, but nodded.

“And yet you do not cry.” His mouth twisted as he lifted her chin with his finger. “My name is Bayard. I’m going to be your friend, Kolta. Would you like that?”

She was silent.

“The people here don’t treat you very well, do they? They don’t like dark-haired girls. But I’m going to take you somewhere else. Somewhere you’ll be loved, Kolta. Do you want to be loved?”

Her chin began to tremble.

“Of course you do.” He folded her into his arms, and she began to cry. “It’s what we all want.”



 

Lucien limped on his artificial leg his way through the doorway into his office, fell into his chair, and leaned his crutch against the wall. Three years he’d been emperor, and still a shiver went down his spine every time he crossed that threshold. He’d spent too much time in the opposite chair, the one on the other side of the desk, facing a loud and frightening father he could never please.

Septian, his bodyguard, a head taller than Lucien and twice as broad, moved in almost perfect silence as he took his customary place behind the chair and shouldered a musket. He carried the weapon more for show than for any real need; it would be a rare enemy Septian couldn’t handle with a sword or a knife or even his bare hands. Lucien had been escorted by Legaciatti all his life, but since ascending the throne, he’d become hyperaware of them, especially Septian. The man rarely spoke, and his face was impossible to read. What did he think of Lucien? Did he recognize Lucien’s head for military strategy? Or, like Florian, did he privately roll his eyes at what he perceived as a useless, crippled boy?

Lucien rubbed his forehead. His empire was fragile, precarious. He had problems to solve. Real problems. What his bodyguards thought of him should be the least of his concerns.

Septian cleared his throat.

Lucien raised his head and saw the man standing in the doorway. “Remus. Come.”

The Legaciattus entered, bowed his obeisance, and sat in the chair across from him. The door guards shut him in.

“What’s the schedule today?” asked Lucien.

“You’re seeing Legatus Cassian Nikolaos this morning.”

Lucien made a face. “Pox. Is he waiting outside?”

“Yes, sir. And this afternoon, you were going to speak to the new recruits at the palaestra. Then there’s the meetings with your advisors.”

Lucien nodded. The morning would be a harassment, but the afternoon wasn’t so bad. He liked public speaking, especially when the audience was young soldiers—it wasn’t long since he’d been one himself. He’d seen action on the battlefield, and frontline soldiers tended to respect that.

Was there a gap in his schedule? His meeting with Cassian would not take all morning. “Remus, has that woman who won in Beryl arrived yet?”

Remus smiled. “She arrived by ship yesterday, Your Imperial Majesty, and awaits your pleasure.”

Lucien brightened. “Have her ready to play by midmorning.”

“Very good, Your Imperial Majesty. Shall I send in Cassian?”

“Yes.”

Remus left, and the guards admitted Legatus Cassian Nikolaos, Lucien’s highest-ranking military officer. Cassian was a longtime friend of Lucien’s father, the former emperor, and he was everything Lucien wasn’t. Big, burly, whole—that is, possessed of all four limbs—and afraid of nothing. Middle-aged, he had decades of command experience behind him, and it rankled him to report to an emperor in his twenties. “Legatus,” said Lucien, granting the man permission to speak.

“Your Imperial Majesty.” Cassian bowed.

Lucien’s eyes narrowed. The bow wasn’t as low as it ought to be. It bordered on insolence, yet the slight was subtle. He would look foolish if he drew attention to it. “Have a seat.” He’d tried several strategies for winning Cassian’s respect. Flattery hadn’t worked. Neither had pointing out the patently obvious holes in the man’s proposed strategies. In the end, he’d given up and fallen back on the style he’d used with his equally intractable father, a tone of breezy, uncaring confidence. It didn’t work either.

Cassian began, “Lucien, about the Riorcan rebels—”

“That’s Sir or Your Imperial Majesty,” snapped Lucien. “And I’m not going to decimate the Riorcans.”

Cassian stiffened. “Sir, you’ve let their crimes go unpunished far too long. They flaunt their disrespect in a hundred tiny ways every day, and their Obsidian Circle sabotages our supply lines and assassinates our officers.”

“I have a battalion combing the hills in search of the Circle. It’s not easy to find. In the past year, we’ve found only two enclaves, neither of which had more than twenty people in it. And you know what my soldiers discovered when they broke in.”

“Corpses,” said Cassian.

“They killed themselves rather than risk interrogation. We know nothing about where their headquarters are or who’s in charge.”

“Sir, this is why you have to decimate the Riorcan villages. We can’t find the Circle, but we can find the villagers who support them. Punish them, and that support will end.”

“Cassian.” Lucien paused, considering his words carefully. “You are one of Kjall’s finest commanders, and I have a tremendous respect for your experience in the field. But you haven’t been in Riorca. I have—”

“For two years!” spat Cassian.

“Two years longer than you have, and those years opened my eyes. Most Riorcans want nothing more than to live their lives and raise their families in peace. The rebels are a minority. Your opinion is noted, but my mind is made up. We will not decimate Riorca.”

“Yes, sir.” Instead of leaving, Cassian sat quietly in his chair.

Lucien eyed him narrowly. “You are dismissed, Legatus.”

“Sir, about last night’s state dinner . . .” He hesitated.

“Didn’t like my speech?”

“Your oration was superlative and the food exquisite. But you deprived us of the court’s brightest jewel, the imperial princess.”

Lucien’s mouth tightened. “Celeste chose not to attend.”

“At your urging, no doubt.”

“She is thirteen years old, Legatus, and she finds state dinners tedious.” Indeed, he could hardly blame his sister for not wanting to spend an evening being slobbered over by older men looking to insert themselves into the line of succession. In Cassian’s case, it was particularly disgusting, because he was already married. He would divorce his wife in a heartbeat if he thought he could remarry more advantageously. And while politically motivated divorces and marriages were common in Kjall, Lucien considered the practice repugnant.

“Perhaps she found them dull when she was a child, but she’s a young woman now. Young women love to be the center of attention. Perhaps she would like to attend the upcoming dinner for the Asclepian delegates? I should be glad to escort her.”

Lucien stared at him stonily. “No.”

“If you should change your mind—” began Cassian.

“You are dismissed, Legatus.”



 

Vitala paced nervously in her suite. The door guard—a new one, thank the gods; there must have been a shift change—had informed her the emperor would see her later that morning. Soon, the moment would come, the moment she’d spent eleven years preparing for. Could she seduce and kill Emperor Lucien?

Seduction was the easy part, but she’d never targeted an emperor before.

We know very little about his love life, Bayard had told her. Only that he must have one.

What if he liked only blondes or redheads? Gods, what if he preferred men?

She’d suggested to Bayard that she lose her first Caturanga game with Lucien. She’d seduced a Kjallan officer once with a similar technique. She played the part of a foolish bufflehead searching for a misplaced glove, which turned out to be under her chair. A little flattery and flirtation, a touch here and there, and he was hers. But soldiers were easy; an emperor was something else. Lucien was probably approached by beautiful, sexually receptive women on a daily basis. She had to make herself stand out.

You must win the initial game, Bayard had said. He may lose interest if he thinks you have nothing to teach him. And we don’t know how long it will take you to lure him into bed. This man is powerful. He has his choice of women. And he may be particular.

Thanks for the encouragement, she had retorted.

We suspect he likes strong women.

How can you tell, if you know nothing about his love life? she asked.

Because the closest relationship he’s ever had with a woman was with his cousin Rhianne, said Bayard.

The one who ran off to Mosar?

She was rebellious as a child, and Lucien was her partner in crime. Word is he misses her. We think the more you remind him of Rhianne, the more interested in you he’ll be.

Fine. She would win the first game. But how to proceed from there?

Someone knocked at her door. “Miss Vitala? His Imperial Majesty will see you now.”

Most helpful customer reviews

19 of 20 people found the following review helpful.
Raby Builds a Believable World iof Magic and Culture
By Kenneth Mark Hoover
I am not a big fan of romance. I don't think much of most fantasy, either, because a lot of it draws too much on what has been done before and comes off as lazy. It feeds upon itself too much, especially when it comes to plot and motivation and the world the characters are supposed to inhabit.

All too often much of romance and fantasy is cardboard characters stomping through yet another two-dimensional background. Popular? Extremely popular. Do these kinds of stories bring anything new to the literary world? No, not much, or rarely, nor are they expected to. So everyone wins. I guess.

Is Amy Raby's Assassin's Gambit one of these kinds of stories? Nope. Not even close.

Not that it's easy to find new plots and develop them with twists that engage and surprise the reader. As a professional writer I realize there is no such thing as a new plot. Even Assassin's Gambit by Raby, her first fantasy romance novel, doesn't do that, nor does it set out to prove otherwise.

In Raby's novel a beautiful assassin named Vitala Salonius (with a tragic past) is sent to, well, assassinate an emperor and ends up falling in love with him. She's a Caturanga champion, a game much more complex than chess and one which mirrors the social and political machinations and upheavals of the world she lives in. As you might guess the lovers battle intrigue and powerful political forces arrayed against them. Shades of From Russia, With Love at least as far as the basic plot line goes. Serviceable and robust.

So far so good. But Raby does something extra here which I find very welcome and wish more writers would take the time to do. She builds a world. More than that, her world and its culture and its unique magic system isn't copy/pasted from some other novel or cliched background. She did a lot of research and homework for this novel, and it shows. And, boy, does it work.

It's not often I become so immersed in a novel I stop reading critically and just read and enjoy the novel for what it is. But this is what happened to me with Assassin's Gambit and it was a welcome change.

I read it in one sitting. You know how often I do that? Maybe once a year. So this novel was my quota for 2013. Seeing as how good this story was, I can live with that.

I really like Raby's magic system and how it all hangs together. Nor does Raby ignore the cultural impact her magic has on social and political institutions or the burgeoning gunpowder tech which is being developed. What's more, the world she presents is itself multicultural, and within those cultures there are opposing factions. She doesn't pull any punches, either, given the set up. She shows the racism and fear and hate and distrust you would expect.

It's a believable world. I like that. As a professional writer....I like that a lot.

But aside from all that, which is considerable, I like how Raby subverts. From the cover of this novel of a pretty lady with wind in her hair, to the blurb (In the struggle for power, nothing is safe...not even her heart) you figure, "Okay, this is a fantasy romance which is maybe kinda heavy on the romance. I'll test the water with my toe."

And at first when you start reading it does read like a standard romance. But then Raby pulls a fast one, and this is why I liked the novel so much because not only was it subversive, it was dangerous.

It's almost like Raby was laughing behind her hand a little and saying, "Do I have your attention? Good. Let's get to what this story is really about."

She pulls it off with aplomb. In essence, the novel stops being a traditional romance in an exotic setting and turns into a hard hitting fantasy tale that examines how (and more importantly why) two broken people are able to love and trust one another...while in the meantime killing some bad guys who really need killing.

Is the novel without fault? No. There are too many adverbs, too many exclamation marks (one per novel, please and thank you) and I personally would have liked it to be darker. But then again I wasn't writing it so what do I know. I also thought Vitala made a crucial decision in a bean field that wasn't true to her original motivation. (Although I do understand and sympathize with Raby's limitations regarding Vitala's decision.)

Finally, the novel actually ends on the penultimate chapter, and quite strongly, too. But, once more, Raby is playing with us a little here and it's as if she says, "Okie doke, this is supposed to be a romance, so here ya go, one last chapter."

I liked this novel a lot. It was damn good. Yes, it is a romance. A very good one. The characters are memorable and I found myself lost in the world. You can't ask for more than that.

Give it a peek.

9 of 9 people found the following review helpful.
Assassin heroine + amputee hero = Unique, action-packed fantasy romance
By Jessica
This is the best example of fantasy romance I have ever read.

Assassin's Gambit delivers a perfect, high-stakes story of clashing empires along with a love story so tender and realistic it left me breathless.

First, the world-building. Amy Raby is a debut author, but her exceptional economy of words is on par with the pros of fantasy writing. It amazes me how efficiently yet vividly she breathes life into a unique magic system and a lush and varied backdrop of warring fantasy nations. There's even a fascinating chess-like game called Caturanga that adds dimension and fun to the story. It takes talent to describe so much without slowing pacing one iota. For her world-building alone, I applaud Ms. Raby, but that's just the beginning.

While sending her characters, amputee emperor Lucien Florian Nigellus and rebel assassin Vitala Salonius on a journey that will dictate the fate of nations, Raby develops a love story that bravely faces the emotional and mental damages left in the wake of horrendous battle injury and sexual trauma. The touchiness of the subject matter could easily turn the story dark, but Raby infuses this powerful tale with light and hope. The happy ending was hard won, well deserved by the characters, and is one I won't soon forget.

Fans of epic fantasy, historical romance, and fantasy romance will all find much to love in Assassin's Gambit. I can't wait for Raby's next book in the series. This is an auto-buy author for me.

6 of 6 people found the following review helpful.
Amazing!! Reminded me of the Games of Thrones- that good!
By Bookaholics Reviewer
Assassin Gambit by Amy Raby
Paranormal Romance -April 2nd, 2013
4 ½ stars

Assassin Gambit is unlike any romance I've read. The hero and the heroine are completely original and utterly fascinating. Those who love Game of Thrones will enjoy this new series.

Vitala Salonius is the first female winner of the game Caturanga. A strategy game that is a favorite hobby of the current King. But Vitala is an assassin in disguise. Taken from her Riorcan family because she looks like a Kjallan, she was raised with the sole purpose of undermining the current Kjallan regimen and freeing her Riorcan people from their oppression. Because she is half Kjallan and half Riorcan she has felt prejudice of her Kajallan half by Riorcans who have been subjugated by Kajallans. The Kjallan emperor has used her Riorcan people as slaves and levied heavy taxes on them. As part of the secret Riorcan Obsidian Circle, Vitala works to undermine the current King, Lucien. Because she can pass as a Kjallan. She uses her status as winner of the Caturanga competition to befriend the emperor Lucien and assassinate him. Since the emperor loves the game she is invited to meet him. But Vitala grows to respect and even like the emperor as she gets to know him. When one of his staff tries to assassinate him Vitala finds herself saving his life instead of ending it! On the run the emperor and Vitala reconcile their growing love and political differences while bringing new hope. But the man responsible for trying to assassinate Lucien has taken Lucien's younger sister as his wife. How will they save his sister and find a way to take back control while also finding a to give Riorcans more freedom?

This was a complex and totally immersing fantasy. Neither of the two main characters are perfect and because of this they are exactly perfect together! Both have struggled and been ostracized. Vital because of her heritage and Lucien because of his lost leg. Lucien is also perceived as being weak because he is not as bloodthirsty as his older brothers. Vitala is certainly the more `damaged' of the two. She feels her only purpose is to kill for Riorcan freedom and her feelings and the physical abuse she have endured in her training are sometimes difficult to read. I liked how she finally comes to see her own worth. She is more than a tool and I was impressed by her intelligence. Both have good reasons to have prejudices against each other and despite this they come to love each other. I felt this story was a little like Romeo and Juliet especially since Vitala's job has psychological side effects which she must come to terms with.

Savvy smart and imaginative. This book has action, intrigue and two lovers who desperately need each other. Simply amazing!

Reviewed by Steph from the Bookaholics Romance Book Club

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