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Love stories, with a twist: the eagerly awaited follow-up to the great Russian writer’s New York Times bestselling scary fairy tales
By turns sly and sweet, burlesque and heartbreaking, these realist fables of women looking for love are the stories that Ludmilla Petrushevskaya—who has been compared to Chekhov, Tolstoy, Beckett, Poe, Angela Carter, and even Stephen King—is best known for in Russia.
Here are attempts at human connection, both depraved and sublime, by people across the life span: one-night stands in communal apartments, poignantly awkward couplings, office trysts, schoolgirl crushes, elopements, tentative courtships, and rampant infidelity, shot through with lurid violence, romantic illusion, and surprising tenderness. With the satirical eye of Cindy Sherman, Petrushevskaya blends macabre spectacle with transformative moments of grace and shows just why she is Russia’s preeminent contemporary fiction writer.
- Sales Rank: #673785 in eBooks
- Published on: 2013-01-29
- Released on: 2013-01-29
- Format: Kindle eBook
From Booklist
The length of this collection’s title is in inverse proportion to the brevity of the stories, a contrast neatly reflecting Petrushevskaya’s covert but stinging irony. She won awards and accolades for the fantastic tales in There Once Lived a Woman Who Tried to Kill Her Neighbor’s Baby (2009). The scouring realism showcased here in 17 works spanning her long writing life is the narrative mode that made her famous and led to her being banned in her native Russia. These strange, violent, and devastating stories of love warped by poverty, anger, and pain embody the Soviet era’s soul-starving shortages of dignity, shelter, and freedom. Petrushevskaya’s afflicted characters are trapped in wretchedly crowded communal apartments and suffocating family configurations, bereft of privacy, comfort, and hope. Out of misery coalesce the weirdest and most warped of romances, some disastrous, some grotesque, some liberating, while mothers’ love for their children brightens an absurdly cruel world. Petrushevskaya’s phenomenal skill in coaxing radiance from resignation, courage from despair, makes for universal and timeless stories of piercing condemnation, sly humor, profound yearning, and transforming compassion. --Donna Seaman
Review
“Deeply unromantic love stories told frankly, with an elasticity and economy of language, . . . dark, fatalistic humor and bone-deep irony.” —The New York Times Book Review
“This gem’s exquisite conjugation of doom and disconnect is so depressingly convincing that I laughed out loud. . . . On par with the work of such horror maestros as Edgar Allan Poe.” —Ben Dickinson, Elle
“Petrushevskaya writes instant classics. . . . These, as the title proclaims, are love stories, scored to a totalitarian track.” —The Daily Beast
“Combines the brevity of Lydia Davis with the familial strangleholds of Chekhov. They’re short and brutal, but often elegant in their economy.” —The Onion A.V. Club
“Full of off-kilter, lurid, even violent attempts at connection.” —Flavorwire, 10 of the Most Twisted Short Stories About Love
“Petrushevskaya’s short stories are painfully good.” —Kelly Link, The New York Times Book Review
“Heartbreaking, but . . . also beautiful and touching in describing how, if not love, at least companionship, can save the most lost souls.” —The Rumpus
“These bitter, funny, and often absurd tales of love between unsuspecting men and women paint a bleak picture of Soviet living and the frequent (im)possibilities of love.” —PopMatters
“An important writer . . . Russia’s best-known . . . She’s a much better storyteller than her American counterparts in the seedy surreal. . . . Petrushevskaya’s stories should remind her readers of our own follies, illusions and tenderness.” —Chicago Tribune
“This is romance Russian-style, ‘tough love’ in its most literal sense, yet somehow, its bleakness is more satisfying in its humanity and aesthetic simplicity than the sugary appeal of so many popular love stories.” —Rain Taxi
“Dark and mischievous . . . [Petrushevskaya’s] stories never flinch from harshness, yet also offer odd redemptions . . . comedic brilliance . . . microscopic precision . . . several inimitable, laugh-out-loud paragraphs . . . creepy early-Ian-McEwan style identity disintegrations [and a] formidable way with a character profile. . . . [The translation, by] Anna Summers, [is] starkly elegant, often wry. . . . Summers also provides a sensitive, informative and insightful introduction. . . . Petrushevskaya . . . ensures herself a place high in the roster of unsettling Writers of the Weird.” —Locus
“Both supremely gritty and realistically life-affirming . . . Full of meaningful, finely crafted detail.” —Publishers Weekly
“Think Chekhov writing from a female perspective. . . . Petrushevskaya’s short stories transform the mundane into the near surreal, pausing only to wink at the absurdity of it all.” —Kirkus Reviews
“This celebrated Russian author is so disquieting that long after Solzhenitsyn had been published in the Soviet Union, her fiction was banned—even though nothing about it screams ‘political’ or ‘dissident’ or anything else. It just screams.” —Elle
“Her suspenseful writing calls to mind the creepiness of Poe and the psychological acuity (and sly irony) of Chekhov.” —More
“The fact that Ludmilla Petrushevskaya is Russia’s premier writer of fiction today proves that the literary tradition that produced Dostoyevsky, Gogol, and Babel is alive and well.” —Taylor Antrim, The Daily Beast
“Her witchy magic foments an unsettling brew of conscience and consequences.” —The New York Times Book Review
“What distinguishes the author is her compression of language, her use of detail and her powerful visual sense.” —Time Out New York
“A master of the Russian short story.” —Olga Grushin, author of The Dream Life of Sukhanov
“There is no other writer who can blend the absurd and the real in such a scary, amazing and wonderful way.” —Lara Vapnyar, author of There Are Jews in My House
“One of the greatest writers in Russia today and a vital force in contemporary world literature.” —Ken Kalfus, author of A Disorder Peculiar to the Country
“A master of the short story form, a kindred spirit to writers like Angela Carter and Yumiko Kurahashi.” —Kelly Link, author of Magic for Beginners and Stranger Things Happen
About the Author
Ludmilla Petrushevskaya was born in 1938 in Moscow, where she still lives. She is the author of more than fifteen volumes of prose, including the New York Times bestseller There Once Lived a Woman Who Tried to Kill Her Neighbor’s Baby: Scary Fairy Tales, which won a World Fantasy Award and was one of New York magazine’s Ten Best Books of the Year and one of NPR’s Five Best Works of Foreign Fiction; There Once Lived a Girl Who Seduced Her Sister’s Husband, and He Hanged Himself: Love Stories; and a prizewinning memoir, The Girl from the Metropol Hotel. A singular force in modern Russian fiction, she is also a playwright whose work has been staged by leading theater companies all over the world. In 2002 she received Russia’s most prestigious prize, The Triumph, for lifetime achievement.
Most helpful customer reviews
7 of 7 people found the following review helpful.
A Russian Eudora Welty!--All Things Writing Review
By Mary Ann Loesch
I was not familiar with Ms. Petrushevskaya prior to receiving this book, but reading her stories was like hanging out with a Russian Eudora Welty. She captured the gritty and dark quality of life in her country during a time filled with angst, worry, and poverty. Many of these stories are very humorous and easy to relate to, but there are other tales that are sad, heartbreaking, and poignant. Judging from the forward, it would appear that her own life was full of those things and that like so many of us, she writes about what she knows.
One of my favorite stories was called The Goddess Parker. The plot revolves around a male school teacher called A.A. He is looking for privacy but finds himself becoming friendly with an old woman named Alvetina. Through Alvetina, he meets the most important woman in his life and almost loses her. It is a simple story--one we've even heard before--but it's told in such a way that you can't help but want to read it just one more time.
Another story that stood out for me was The Fall. It's about a woman who is the bell of the ball and attracts men by just the way she tosses her hair. Through the use of her feminine wiles, we see her carry on a passionate love affair that both she and the reader know will end badly, but like a car wreck, you just can't seem to look away from it. It feels all too real.
Maybe that's the thing about Ms. Petrushevskaya's stories: they feel like people you know. Their highs, their lows--she does an excellent job of drawing the reader in to her world. That quality is what kept me reading each story.
By the way, these are short tales. I read the whole book in one sitting, but they are engaging enough to read in small spurts, too. The paperback goes on sale today at Amazon!
0 of 0 people found the following review helpful.
" I really wanted to like this book
By Alyssa
"Someday his suffering would end, she told herself, but she must act with the utmost caution, calculate every step until the final victory, his freedom - although, as she knew from her brother's experience, things were not so simple; and getting the person out wasn't the end of it."
I really wanted to like this book. I think the stories range between 2.5 stars and 3 stars for me.
Some are incredibly simplistic in their presentation. Most are sad. I wonder if it's the translation but some read more wordy and tedious. They all talk about struggles and the lives of various women. It's an interesting look behind closed doors into the lives of people, but I didn't enjoy reading them like I thought. Some of the stories are clever but they're so short it's hard to see them as punchy or wrapped up when so little happens.
Maybe this is one I just didn't get but I wasn't blown away.
2 of 2 people found the following review helpful.
Love conquers
By TChris
"There was nothing but pain in store for her, yet she cried with happiness and couldn't stop." That sentence, from Ludmilla Petrushevskaya's "A Murky Fate," encapsulates the desperately conflicted women who haunt her bittersweet stories. A woman in Moscow dresses up for New Year's Eve but has nowhere to go. A woman tries to commit suicide after a man she picks up in a bar pees the bed. A woman grows up in such a tormented household that, after leaving, no amount of adversity can cast a shadow upon her happiness. A girl walks like a soldier with her arms down at her sides to hide the sweat stains in the armpits of her mother's hand-me-down dress. A few minutes of "half-naked passion on the cramped kitchen sofa" lead to childbirth and a "grim foreboding" about a "softhearted boy without will or ambition."
Nearly all the stories in this volume are about women. A few of the women (usually friends or relatives of the main character) are shrews. Some are emotionally or mentally stunted. Most are victims -- of abuse or poverty or incest or unfaithful lovers. Nearly all of them persevere; they have no choice. Some of the stories are dark comedies, others are just dark. Occasionally the stories are about women in full but, in many cases, we see only small, eventful slices of their lives. Some of the stories left me wanting more, some are more insightful than others, a couple seem pointless, but the best ones are a powerful indictment of a society that places little value on impoverished women, and a wry examination of women who do not adequately value themselves. If the stories have a shared message, it isn't "love conquers all" -- for Petrushevskaya's women, love simply conquers.
My favorite story, "Tamara's Baby," is about an arrogant, parasitic man and the elderly woman who treats him like a child. Two other standouts are "Young Berries," which tells of a girl who survives the cruelty of her fellow students and gains the appreciation of a boy, and the ironically titled "A Happy Ending," about a woman who has a plan to leave the husband (she calls him "Clapper") who gave her gonorrhea.
Petrushevskaya tells her stories in prose that derives power from its simplicity and shrewdness. She is an eloquent spokeswoman for the Russian women who suffered the horrors of totalitarian oppression, drunken husbands, indifferent employers, and uncaring families. If I could, I would give this story collection 4 1/2 stars.
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