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The Big Wave, by Pearl S. Buck
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The author of The Good Earth tells a poignant story about two boys whose friendship and courage help them survive an overwhelming tragedy
On a mountainside in Japan, two boys enjoy a humble life governed by age-old customs. Jiya belongs to a family of fishermen; his best friend, Kino, farms rice. But when a neighboring volcano erupts and a tidal wave swallows their village—including Jiya’s family—life as they know it is changed forever. The orphaned Jiya must learn to come to terms with his grief. Now facing a profoundly different life than the one he’d always taken for granted, he must decide on a new way forward. Written with graceful simplicity, The Big Wave won the Children’s Book Award of the Child Study Association of America when it was first released. This ebook features an illustrated biography of Pearl S. Buck including rare images from the author’s estate.
- Sales Rank: #50317 in eBooks
- Published on: 2012-08-21
- Released on: 2012-08-21
- Format: Kindle eBook
Review
“The author’s famous story of a Japanese boy who must face life after escaping the tidal wave destruction of his family and village.” —Booklist
About the Author
Pearl S. Buck (1892–1973) was a bestselling and Nobel Prize–winning author. Her classic novel The Good Earth (1931) was awarded a Pulitzer Prize and William Dean Howells Medal. Born in Hillsboro, West Virginia, Buck was the daughter of missionaries and spent much of the first half of her life in China, where many of her books are set. In 1934, civil unrest in China forced Buck back to the United States. Throughout her life she worked in support of civil and women’s rights, and established Welcome House, the first international, interracial adoption agency. In addition to her highly acclaimed novels, Buck wrote two memoirs and biographies of both of her parents. For her body of work, Buck received the Nobel Prize for Literature in 1938, the first American woman to have done so. She died in Vermont.
Most helpful customer reviews
80 of 81 people found the following review helpful.
Reverent and lovely
By sally mandy
I bought this book at a yard sale for twenty five cents. I read it to my six year old daughter and it was her favorite bedtime book for several months. It was a joy for me to discover how much I loved it, too.
The themes are "mature," in that a boy watches his entire family die and then his friend watches him grieve this loss. My six year old was not too young for this, however; to her, death is as natural as the sun coming up unless I make a big deal about it. Pearl Buck presents a deep reverence for life, death, and living with danger and uncertainty that permeate the story in an accessible and real way. The end message is hopeful and joyous.
I found in this book something rare in children's and even much contemporary adult fiction: a nonthreatening, sensitive portrayal of how people deal physically and emotionally with overwhelming loss; it's sort of like Elizabeth Kubler Ross 101 for a child's understanding. How unusual, and valuable.
Kathleen Norris wrote in The Cloister Walk that for many years literature gave her what religion gives some people in the way of guidance and comfort in life's challenges. It seems to me the pinnacle of good literature to show commonalities between people of all ages, all over the world and through history, suggesting values people from other cultures and times have used to deal with universal human dramas. For me, The Big Wave does that.
I hope I'm not the only parent who thinks kids deserve books with more substance than Junie B. Jones and Captain Underpants offer. Pearl Buck obviously respected children and their capacity to understand. Add to that its lovely clear language and stunning imagery of the setting...well, all told this is maybe my favorite kid's book, even if it only cost a quarter.
49 of 49 people found the following review helpful.
A useful book
By A Customer
First of all, I am disgusted at the ignorance of some of the other reviewers thus far. I am not Japanese, and cannot attest to whether or not Jiya and Kino are "ridiculous" names, but to assume that Pearl S. Buck needed to do "a little more research" about Japan is equally ridiculous. Pearl S. Buck was born in 1892. She lived and wrote in China and Japan in the early years of her career. I believe she lived in Unzen, Japan for an entire year in 1927. So if those names are ridiculous for little boys now, perhaps they were not so THEN, when the book was written, and in the particular area where Buck lived. I don't know.
I found this book to be valuable for introducing youngsters to the tremendous and powerful body of work produced by the first American woman to ever win the Nobel Prize for literature, Pearl S. Buck. Her writing is deliberately slow and written in the classic style of fables to serve a purpose and set the tone and mood. Young readers who are not properly introduced to the historical context and significance of Ms. Buck's work may find her writing and this book to be "blah blah blah." This is unfortunate. Children coping with loss and trauma, and children interested in both Japanese culture and earth science (volcanoes, earthquakes and tsunamis, which literally translates to "big wave," for those who seem to be confused) would love this book. It is a useful book for teachers to introduce difficult material to youngsters as well. My only complaint is that this edition did a poor job of duplicating the masterpieces of Japanese printmasters Hokusai and Hiroshige, both of whom were major influences on the artwork of Vincent Van Gogh. The replicas in this book fail to do the originals justice.
33 of 33 people found the following review helpful.
accepting the grief after a tsunami
By kuaikuai
I read this book many years ago, and have been waiting for the right moment to read it to my child. This week, while we are absorbing the 12/26/2004 tsunami in South Asia, I deemed the moment right.
The story is set in Japan at some time in the past, when the farmers and fishermen in the community are following the paths their fathers and grandfathers set. We see the story through the eyes of Kino who lives on a mountain farm, and learns about the sea through his friendship with Jiya, who lives "in the last house in the row of houses toward the ocean, and [whose] house [does] not have a window toward the sea" because, as Jiya tells Kino, "the sea is our enemy." Kino is relieved that he does not live near the sea, but his father reminds him of the great volcano, twenty miles away, and tells him that they "must learn to live with danger."
The storyline is simple, almost inevitable. A volcano erupts under the sea and causes a tsunami, which sweeps away the fishing village by the sea. Many lives are lost. As the survivors slowly recover, and Kino's friend Jiya starts to accept life again, Kino asks his father all the questions that children need to ask after a natural disaster. His father's answers each question with patience and wisdom, in a manner open-ended enough so that the reader (or reader and parent) can pause and talk about their own beliefs and feelings. Or the reader can turn the page and stay absorbed in this well-crafted story.
My only disappointment with my paperback edition (HarperCollins, 1986, ISBN 0-06-440171-5) is that it left out the famous woodblock prints by the 19th century Japanese artists Hokusai and Hiroshige. I pored over these illustrations as a child and immediately recognized them when I saw them in my library copy. Pearl Buck selected each individual print to allow her readers to see the beauty of Japan, and they form an integral part of the story. I would recommend you buy the Library Binding version by HarperCollins (1999, ISBN 0-38-199923-8) or check out a book with illustrations from your library.
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