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The Dark Room (Vintage International), by R. K. Narayan
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R. K. Narayan (1906—2001) witnessed nearly a century of change in his native India and captured it in fiction of uncommon warmth and vibrancy. In The Dark Room, Narayan’s portrait of aggrieved domesticity, the docile and obedient Savitri, like many Malgudi women, is torn between submitting to her husband’s humiliations and trying to escape them. Written during British rule, this novel brings colonial India into intimate focus through the narrative gifts of this master of literary realism.
- Sales Rank: #1803730 in eBooks
- Published on: 2012-07-25
- Released on: 2012-07-25
- Format: Kindle eBook
About the Author
R. K. Narayan (1906–2001) was one of the most prominent Indian novelists of the twentieth century. Most of his stories are set in the fictional South Indian town of Malgudi, a place that Narayan populated with numerous characters. He was the recipient of many awards for his work including the National Prize of the Indian Literary Academy, India's highest literary honor. In 1980 he was awarded the AC Benson Medal by the Royal Society of Literature, of which he was an honorary member and in 1982 he was elected an honorary member of the American Academy of Arts and Letters.
Most helpful customer reviews
4 of 4 people found the following review helpful.
Do the wrong thing
By Vincent Poirier
Savitri keeps a good home for her husband and three children. With an eye on the family finances, she keeps a rein on the cook's natural extravagance. But she makes sure her son eats well, even though he is more concerned with cricket and with electric lights. She brushes her daughters' hair every day.
Ramani, her husband, bullies her with his complaints: every day the food is served too late or too early, the portion is too small or too large, the children are too noisy or too quiet.
Ramani never hits Savitri, he even occasionally has a kind word for her, but from time to time Savitri can't cope and seeks refuge in a room where she rests lying on the floor, facing a wall in the dark. When her daughters come for her, without moving she tells the cook to give them something to eat. She eventually comes out of her mood and returns to her life.
But now on many evenings, her husband comes home late from the office. Ramani has a mistress, and Savitri won't have it. She leaves him. She leaves with only the sari she is wearing, taking no food with her, no jewels. Nothing that belongs to that man.
She tries to drown herself. She tries to work while accepting no charity at all. She tries to repay her debts. Will she find the strength to do act? Or will she let opportunity pass her by?
More than in his other novels, Narayan deals here with right and wrong. Usually, his characters just get on with their lives; the world and their dreams might not have a meaning but that is only because there is something silly about expecting the world to have a tailor-made meaning.
Here, Narayan explores what happens when we do nothing, when we do *not* get on with the business of living our lives, when we do *not* actively care for what happens, or when we have the opportunity to return a kindness and fail to do so. Failing to act is wrong.
Vincent Poirier, Québec City
2 of 2 people found the following review helpful.
Dark Room
By A Customer
I was so overcome by this book. This is the first works I have read by Narayan and I was thoroughly pleased. What makes it so well written is the reality with which Narayan captures the culture of India and defines the roles that governed marriages in the 1930's. I must admit he is not too far off base in depicting marriage arrangements and the struggles of women in the 21st century. At times I was disappointed with its realism, the speech, the actions of the characters. It was all too familiar. A powerful and honest portrayal of how husbands and wives act in marriage.
1 of 1 people found the following review helpful.
A Dark Light Shined on a Marriage
By M. Frost
This is Narayan's third published work. Once again it is set in his famous fictional world of Malgudi. This work is the most "adult" of the three, discussing serious issues like relations between husband and wife & men and women, raising children, work, (ir)religion, and even petty crime. Everything has a dark cast and much of the activity happens at night. For example, the wife has had two miscarriages. This short novel, really almost a shortish novella, has two parts. The first focuses on a wealthy husband who hires a woman at his office and then who becomes infatuated with her, neglecting his wife of about 15 years to spend time with her. The second part focuses on the neglected wife who leaves home and winds up working in a temple to survive. Their three children are important motivators in each part. The title of the story refers to a part of their house where the wife, who battles serious depression at times, goes when she is depressed. So for her both the room and her mood are dark, as is the overall feel of the work. I found the later part of the first half a bit of a slog, almost giving up on the work. But I'm glad I didn't as I couldn't put the second part down. I had to know what happened to the wife. But with most of his works, Narayan really doesn't care whether the reader gets closure on the characters and their life issues. He chooses to end the book how and when he wants. So don't expect an all-encompassing wrap up that will give strong clues as to the definitive long-term outcome for these characters. The events are as they are and the interactions between husband and wife remain raw, especially for the times.
This work is not for anyone expecting Narayan to continue the lighter, more humorous looks at Indian life in the 1930s as show in his first two novels, Swami & Friends and The Bachelor of Arts. Narayan, born 1906, was 32 when this was published in 1938. He married in 1933 to a 15-year-old girl and his father had died in 1937. (The darkness in the book was mirrored in his life in 1939 when his wife died.) But as Graham Greene wrote, anyone who reads Narayan's works centered on Malgudi comes to have an understanding, in a way that only a series of novels can bring out, of how the "average" Indian lived and how their world evolved over the course of about 50 years from British-controlled colonialism to independence.
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